Rebecca De Mornay Quotes
Quotes to Explore
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The kindest word to describe my performance in school was Sloth.
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If the 'Post' can play the role of a connector between the West and the East, I have confidence in the paper's future success.
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The world is mud-luscious and puddle-wonderful.
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I remember teaching a clinic to other coaches, and a guy raised his hand and asked if I had any advice when it came to coaching women. I leveled him with a death-ray stare, and said, 'Go home and coach basketball.'
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Anything where I get to write a lot of jokes and have a lot of creative control - that's all I want.
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Getting to do 'December Songs' in a cabaret-style format was so interesting because it's like a one-woman song cycle that actually tells a story. It feels like a theatrical experience more than a cabaret because I didn't talk in between. We went from one song to the next, nine songs in a row - bam - I told the story in half an hour.
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I have been five minutes too late all my life-time!
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There should be no discrimination against languages people speak, skin color, or religion.
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Fame is a lot of fun, but it's not interesting. I loved being noticed and praised, even the banquets. But they didn't have anything that I wanted. After about six months, I found it boring.
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The guest to me was always paramount.
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The world of religion isn't a logical world; that's why children like it. It's a world of worked-out fantasies, very similar to children's stories or fairy tales.
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I don't expect anybody to know who I am.
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It seems like when I first started, people got into comedy because they wanted to be good comedians.
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I love Austin for vintage shopping, and there are some really good places in L.A., too.
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Creatively, I've always wanted to be different as it relates to my craft, and reggae, being a part of my culture, makes up a percentage of that uniqueness. The only definition I can think of to describe my style is 'OMI.'
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I can never make up my mind if I'm happy being a flute player, or if I wish I were Eric Clapton.
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Nothing tastes as good as skinny feels.
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As opposed to putting too much confidence in myself, or in an image or a scene or a set of brushes, I really want to allow the oil paint to perform, to show me the things that it wants to do, beyond my imagination.
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I started questioning gender-based assumptions a long time ago. When I was eight, I was confused at being called 'bossy,' because I wanted to direct the plays that we would put on for our parents - but the boys were not.
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I draw what I feel, which is no more than doing my job.
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Now it was just the three of us: the leader, the warrior, and the kid about to wet his pants. Guess who I was.
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A lot of people who curate in the business, and curate the art, don't really have good artistic sense. They may know commerce, but they aren't savvy enough to know how to balance commerce and art, you know? They don't know how to satisfy both palates.
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The brain may be regarded as a kind of parasite of the organism, a pensioner, as it were, who dwells with the body.
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I may be an optimist.
