Rebecca Gayheart Quotes
Quotes to Explore
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Every step and every movement of the multitude, even in what are termed enlightened ages, are made with equal blindness to the future; and nations stumble upon establishments, which are indeed the result of human action, but not the execution of any human design.
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We've got 942 friends on Facebook, but when was the last time we spent an afternoon sitting in High Park with one of them?
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If it is the duty of the State to educate, it is the duty of the State also to bear the burden of education, namely, the taxation out of which education is provided.
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The goal of the EU is to form a region of freedom, security and justice. Freedom in this connection cannot be just the freedom of the strong, but it must be combined with fraternity and equality.
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The writing part of my life never changes, because that's just when the inspiration comes.
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My dreams came true while wearing the opening look from the spring/summer 2010 Dior ready-to-wear collection. I will never forget how special I felt opening John Galliano's show, like I was living a dream.
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I embrace everything about Ally... I don't particularly see her as a whiner. One week she's tough, the next she's really weak. I love that. She's human.
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I tell jokes, and I have fun, but I tend to worry about everybody and everything throughout the entire world.
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It's a challenge between me and the hurdle, and the hurdle has always won.
Gail Devers -
No new horror can be more terrible than the daily torture of the commonplace.
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Never be afraid of the moments-thus sings the voice of the everlasting.
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I've tried several varieties of sex, all of which I hate. The conventional position makes me claustrophobic; the others give me a stiff neck and/or lockjaw.
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The sand as white as old bones, the pine trees strangely red where the sun comes down. I cannot say if it is our love, or the day, that is ending.
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I started in theater. I would liken sitcom work more to theater work than I would, perhaps, to dramatic television. It's so quick. It kind of feels like the pace of a play.
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Well, I never really practiced because I never had the opportunity to practice.
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The Fifties and Sixties were years of unreal optimism about weather forecasting. Newspapers and magazines were filled with hope for weather science, not just for prediction but for modification and control. Two technologies were maturing together: the digital computer and the space satellite.
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Artists, no matter how good their intentions, are always slower than they think.
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I do think that's so much a part of what being a director is - in working with actors - to really try and be sensitive to what each actor needs to get to where he wants to be.
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I don't go to pubs.
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I think Dirk [Gently] thinks that he's a brilliant detective, but he's the worst detective, ever. He does have this particular skill, which I suppose you might call a really bad superpower because it's just not very helpful. He is able to sense the connections between things and he's nearly always right, but the problem is that he never knows what to do with any of those messages that he receives from the universe, so he just acts on things and gets himself into terrible trouble, all the time.
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I have been lucky enough to work with the world's best designers and top stylists - who have been my mentors.
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I find it interesting to see people - mostly people who are younger than I am - going to considerable trouble to try to reproduce things from an era that was far more physical, from a less virtual day.
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I like that totally mixed up kind of eclectic group of personal props and bits of costume and I think the fun of doing that is where I was very lucky with Doctor Who.
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I drink at least five bottles of water a day and always get eight hours of sleep.
