Rebel Wilson Quotes
When I first came to America, I went into William Morris Endeavor for a meeting and I was like, "Yeah, I'm from Australia and I do comedy." I think that one of the reasons they signed me is because I wasn't like any other girl. Maybe girls don't get encouraged. The ones who get encouraged to move to Hollywood are the prettiest ones in their hometown of Iowa, or something. Whereas for me, where I come from in the western suburbs of Sydney, no one ever thought professional actors would come from there. Even my own family was like, "No one would want you on a show."
Quotes to Explore
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I think artists are really the root of a tree. They can search for truth or reality in their own way, and the gallery can support them - the outside part of the tree, where it is more about reaching the outside world, connecting with the outside world. That is the role of the gallery, no? Why does the artist have to do that?
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The World Cup is every four years, so it's going to be a perennial problem.
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I realized what interested me as a student of film was one thing and the movies that I liked were another.
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I'm an actress, not a pinup.
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I know what I look like - a weird, sad clown puppet. I'm fine with that.
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Women are builders of civil society. We are the ones who are going to build it. You know why? We have no choice. Either you shut up, and you are humiliated, or you do what I'm doing. You scream.
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I still have a lot to do, a lot to improve.
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If you don't mind smelling like peanut butter for two or three days, peanut butter is darn good shaving cream.
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Just for the record, I personally do agree with some of the sentiments of Rabbi Meir Kahane. I think he was right about certain things, wrong about other things, but I have absolutely nothing, no association whatsoever with Kahane Chai leaders.
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Some people think that welfare reform should have hurt Bill Clinton with black voters.
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And I'm not so in love with making people mad that I want to live my life around it.
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I think it's more important to be fit so that you can be healthy and enjoy activities than it is to have a good body.
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By mid-morning, I take a break from my novel and work on my Sunday Style column, which is about pop culture and what I find on the web. I usually start writing it at the beginning of the week and give it a couple of days to marinate before I return to it.
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I don't think that much change comes from economists. I think it comes more from political realities. Probably the two giants of the 20th century, who actually did shift government policy in the U.S. and around the world, were John Maynard Keynes and Milton Friedman. I don't see anybody in our system who is at that level of influence.
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Real to Reel is a rare opportunity for new filmmakers to screen their work for industry insiders.
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Was it possible for the sexes to hear each other without saying, My powerlessness is greater than your powerlessness? It was becoming obvious each sex had a unique experience of both power and powerlessness. In my mind's eye I began to visualize a listening matrix as a framework within which we could hear these different experiences. It looked like this:
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There is only one Whedon, and I am his prophet.
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Working with Waylon Jennings and Willie Nelson takes you up another level.
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I can be impatient. But I don't think it's always a bad habit. Sometimes a little impatience can be a good thing. It keeps you motivated.
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There are two qualities that make fiction. One is the sense of mystery and the other is the sense of manners. You get the manners from the texture of existence that surrounds you. The great advantage of being a Southern writer is that we don't have to go anywhere to look for manners; bad or good, we've got them in abundance. We in the South live in a society that is rich in contradiction, rich in irony, rich in contrast, and particularly rich in its speech.
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We've traveled too far, and our momentum has taken over; we move idly towards eternity, without possibility of reprieve or hope of explanation.
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If you talk to most ambitious people, people who are high achievers, they're rarely at peace with what they're doing because they need an engine to keep moving. Read more at https://www.brainyquote.com/authors/nick-kroll-quotes
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When I first came to America, I went into William Morris Endeavor for a meeting and I was like, "Yeah, I'm from Australia and I do comedy." I think that one of the reasons they signed me is because I wasn't like any other girl. Maybe girls don't get encouraged. The ones who get encouraged to move to Hollywood are the prettiest ones in their hometown of Iowa, or something. Whereas for me, where I come from in the western suburbs of Sydney, no one ever thought professional actors would come from there. Even my own family was like, "No one would want you on a show."
