Ari Berk Quotes
Quotes to Explore
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Every writer I know got their start in a library somewhere. We read a book, and we thought, 'I want to do that.'
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Don't dress to kill, dress to survive.
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My weaknesses are my jumps. The reason is that although I land them in practice, when I actually compete or perform, I should let my body go and stabilize my mind better. Also, I need to work on not letting negative thoughts and emotions get to me on the ice.
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There are so many songs in me that haven't been born yet. So I can't call myself a genius, but I never turn away a compliment, and I feel like I'm on my way to that mountain.
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There's a reason people use CGI: it's cheaper and faster. I hate that.
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Sometimes you have to resist working on your strengths in favour of your weaknesses. The decathlon requires a wide range of skills.
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It'll take a while for all those strange old books that I love to show up on digital: books that aren't current bestsellers but aren't public-domain freebies, either.
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The stuff I write with Joe Lo Truglio tends to lean towards horror-comedy and horror.
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They stood and listened, arms around each other for comfort, as the sound washed over them. It reverberated in the marrow of their bones, sung high and sweet, heartbreakingly mournful, quick as a jig, slow as the saddest air. Their hearts swelled with its beauty, its mystery. With all it revealed, and all that it hid.
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I think it was a modest thing I did (Fahrenheit 9/11) ... this is an election year ... I'm not telling them how to vote. I'm saying get information about the issues ... at first there's just silence, then there's 'Yeah!' and then there's 'Boo' ... I have never seen a reaction like this, in all my years of touring ... Clear Channel can't threaten to not play my records because they are not going to play them anyway.
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When it comes to writers and poets, for me it's Vinicius de Moraes. He's one of the greatest lyricists ever.
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You could get the money, you can get the power, but keep your eyes on the final hour.
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The thing about Dirk [Gently] is that he's very lonely.
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Ruy-Sanchez's works of fiction are always amazing: adventure, poetry and intelligence in a new geometry of words... His writing has nerve and agility, his intelligence is sharp without being cruel, his mood is sympathetic without complicity.
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As for omens, there is no such thing as an omen. Destiny does not send us heralds. She is too wise or too cruel for that.
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Real value means people value-and creating value really means helping people choose better lives.
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But Shakespeare one gets acquainted with without knowing how. It is a part of an Englishman's constitution. His thoughts and beauties are so spread abroad that one touches them everywhere; one is intimate with him by instinct. No man of any brain can open at a good part of one of his plays without falling into the flow of his meaning immediately.
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It is very hard to not be able to engage with people in a real and honest way because they either want something from me, or they see me as something that I simply am not.
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If I go for the alternative which is false, then obviously I shall be in error; if I take the other side, then it is by... chance that I arrive at the truth, and I shall still be at fault.... In this incorrect use of free will may be found the privation which constitutes the essence of error.
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Somebody might have come along that way who would have asked him his trouble, and might have cheered him by saying that his notions were further advanced than those of his grammarian. But nobody did come, because nobody does; and under the crushing recognition of his gigantic error Jude continued to wish himself out of the world.
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Honest error may play prologue to wonders.
