Arie de Geus Quotes
To me it was so natural that companies should seek their own survival. I had seen nothing else in my life. Companies struggle to keep going and to grow, for as long as possible.
Quotes to Explore
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Now I've even gotten to running out to the fan buses that pass by our house, so I can talk to the people. I think I'm trying to gather fans, frankly. They're very, very nice people - they really understand. It's fun talking to them.
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On my best days, such as when I was a junior in high school coming off a 42-point performance and near triple-double, my dad was there to tell me I haven't arrived yet and bring me back to reality.
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You know, we don't have any decorative sprigs of rosemary; we're not placing little matchstick radishes onto an hors d'oeuvre... The food's gotta taste good. The concept's gotta taste good.
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Idealism, unrealistic idealism, is always contrasted with the reality of the people, of the man in the street. The details of daily life are always more convincing than the political fantasies of the earlier generations.
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I've approached every character I've ever played with a poem, first and foremost.
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I never watch MTV. I don't have time to watch TV. And when I do, I'm watching the Discovery Channel. 'Deadliest Catch: Crab Fishing in Alaska,' that's my show.
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That's what I love about songwriting - that you can write something about your own experiences and think it's completely specific to you, and then people can take away a completely different meaning for themselves. I really love that. I think you've been successful at writing a song when it has a larger life than yourself.
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I did some acting in high school, I knew I really liked it.
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A great amount of good is always evened out by a great amount of bad. I find it's best to acknowledge that weird balance.
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Machines built by human beings they will function correctly if we provide them with a very specific environment. But if that environment is changed, they won't function at all.
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The most promising ideas begin from novelty and then add familiarity.
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I think that the character that I'm playing now is so fundamentally different than Ally that I haven't I haven't felt like I had to worry about it at all. But I definitely wanted to make a different choice.
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People always say 'Don't you support the troops?' But the troops are an entity that just follows orders. It's not about individuals or people. So when I say 'I don't support the troops', I'm saying I don't support the bankers and politicians who are making them do what they do.
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I am a mother first, then a CEO and then a wife.
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It's really great to see fans all over the world.
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I've never been a show horse or particularly charismatic. I'm just the guy who gets up and works hard every day.
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Ninety-five percent of the time, I put myself in somebody else's position - that's how I live.
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I look for someone who is honest, fun to be around, and doesn't take himself too seriously.
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There is a wonderful feeling of power when you're a director, but I don't think I need that, and I'm OK without it.
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That larger story in 'Salvage the Bones' is just about survival, and I think that, in the end, there are things about this novel and about these characters' experiences that make their stories universal stories.
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I paint what I see, not what a camera would see.
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To me it was so natural that companies should seek their own survival. I had seen nothing else in my life. Companies struggle to keep going and to grow, for as long as possible.
