Flannery O'Connor Quotes
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... Simone Weil is a mystery that should keep us all humble, and I need it more than most. Also she's the example of the religious consciousness without a religion which maybe sooner or later I will be able to write about.
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People without hope not only don't write novels, but what is more to the point, they don't read them.
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Unadaptability is often a virtue.
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I find that most people know what a story is until they sit down to write one. Then they find themselves writing a sketch with an essay woven through it, or an essay with a sketch woven through it, or an editorial with a character in it, or a case history with a moral, or some other mongrel thing.
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If there were no hell, we would be like the animals. No hell, no dignity.
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Only if we are secure in our beliefs can we see the comical side of the universe.
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He and the girl had almost nothing to say to each other. One thing he did say was, 'I ain't got any tattoo on my back.' 'What you got on it?' the girl said. 'My shirt,' Parker said. 'Haw.' 'Haw, haw,' the girl said politely.
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Christianity is a strangely cheery religion.
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Even in the life of a Christian, faith rises and falls like the tides of an invisible sea. It's there, even when he can't see it or feel it, if he wants it to be there. You realize, I think, that it is more valuable, more mysterious, altogether more immense than anything you can learn or decide upon It will keep you free - not free to do anything you please, but free to be formed by something larger than your own intellect or the intellects around you.
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The way to despair is to refuse to have any kind of experience.
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Grace changes us and change is painful.
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The fact is that anybody who has survived his childhood has enough information about life to last him the rest of his days. If you can't make something out of a little experience, you probably won't be able to make it out of a lot.
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I know that the writer does call up the general and maybe the essential through the particular, but this general and essential is still deeply embedded in mystery. It is not answerable to any of our formulas.
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The basic experience of everyone is the experience of human limitation.
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I am tired of reading reviews that call A Good Man brutal and sarcastic. The stories are hard but they are hard because there is nothing harder or less sentimental than Christian realism.... when I see these stories described as horror stories I am always amused because the reviewer always has hold of the wrong horror.
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... the man in the violent situation reveals those qualities least dispensable in his personality, those qualities which are all he will have to take into eternity with him.
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It is the business of the artist to uncover the strangeness of truth.
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A working knowledge of the devil can be very well had from resisting him.
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He had the feeling that everything he saw was a broken-off piece of some giant blank thing that he had forgotten had happened to him.
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Most of us have learned to be dispassionate about evil, to look it in the face and find, as often as not, our own grinning reflections with which we do not argue, but good is another matter. Few have stared at that long enough to accept that its face too is grotesque, that in us the good is something under construction. The modes of evil usually receive worthy expression. The modes of good have to be satisfied with a cliche or a smoothing down that will soften their real look.
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I write to discover what I know.
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Either practice restraint or be prepared for crowding.
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I'm going to preach there was no Fall because there was nothing to fall from, and no Redemption because there was no Fall, and no Judgment because there wasn't the first two. Nothing matters but that Jesus was a liar.
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The idea of being a writer attracts a good many shiftless people, those who are merely burdened with poetic feelings or afflicted with sensibility.