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I distrust pious phrases, especially when they issue from my mouth. I try militantly never to be affected by the pious language of the faithful but it is always coming out when you least expect it. In contrast to the pious language of the faithful, the liturgy is beautifully flat.
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Well, if it's a symbol, to hell with it.
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In most good stories, it is the character's personality that creates the action of the story. If you start with real personality, a real character, then something is bound to happen.
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Policy and politics generally go contrary to principle.
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Far be it for me to have worked it out in any abstract way. I don't know why the bull and Mrs. May have to die, or why Mr. Fortune and Mary Fortune: I just feel in my bones that that is the way it has to be. If I had the abstraction first I don't suppose I would write the story.
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Every morning between 9 and 12 I go to my room and sit before a piece of paper. Many times, I just sit for three hours with no ideas coming to me. But I know one thing. If an idea does come between 9 and 12 I am there ready for it.
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You shall know the truth, and it will make you odd.
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We are not judged by what we are basically. We are judged by how hard we use what we have been given. Success means nothing to the Lord.
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...the only thing that makes the Church endurable is that it is somehow the body of Christ and that on this we are fed. It seems to be a fact that you have to suffer as much from the Church as for it but if you believe in the divinity of Christ, you have to cherish the world at the same time that you struggle to endure it.
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You get a real person down there and his talking will take care of itself.
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Writing is like giving birth to a piano sideways. Anyone who perseveres is either talented or nuts.
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...I have to write to discover what I am doing. Like the old lady, I don't know so well what I think until I see what I say; then I have to say it again.
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If we forget our past, we won't remember our future and it will be as well because we won't have one.
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The meaning of the story is the story.
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Children know by instinct that hell is an absence of love, and they can pick out theirs without missing.
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Harcourt sent my book to Evelyn Waugh and his comment was: “If this is really the unaided work of a young lady, it is a remarkable product.” My mother was vastly insulted. She put the emphasis on if and lady. Does he suppose you’re not a lady? she says.
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Anyone who survives a southern childhood has enough material to last a lifetime.
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Her name was Maude and she drank whisky all day from a fruit jar under the counter.
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Your beliefs will be the light by which you see, but they will not be what you see and they will not be a substitute for seeing.
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If there is no possibility for change in a character, we have no interest in him.
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There is a question whether faith can or is supposed to be emotionally satisfying. I must say that the thought of everyone lolling about in an emotionally satisfying faith is repugnant to me. I believe that we are ultimately directed Godward but that this journey is often impeded by emotion.
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People without hope not only don’t write novels, but what is more to the point, they don’t read them. They don’t take long looks at anything, because they lack the courage. The way to despair is to refuse to have any kind of experience, and the novel, of course, is a way to have experience.
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All human nature vigorously resists grace because grace changes us and the change is painful.
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There may never be anything new to say, but there is always a new way to say it, and since, in art, the way of saying a thing becomes a part of what is said, every work of art is unique and requires fresh attention.