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The Catholic novelist in the South will see many distorted images of Christ, but he will certainly feel that a distorted image of Christ is better than no image at all. I think he will feel a good deal more kinship with backwoods prophets and shouting fundamentalists than he will with those politer elements for whom the supernatural is an embarrassment and for whom religion has become a department of sociology or culture or personality development.
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Success means being heard and don't stand there and tell me that you are indifferent to being heard. You may write for the joy of it, but the act of writing is not complete in itself. It has to end in its audience.
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The reviewer always has hold of the wrong horror.
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Later he saw Jesus move from tree to tree in the back of his mind, a wild ragged figure motioning him to turn around and come off into the dark where he might be walking on the water and not know it and then suddenly know it and drown.
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I am much younger now than I was at twelve or anyway, less burdened.
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The artist uses his reason to discover an answering reason in everything he sees.
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Southern culture has fostered a type of imagination that has been influenced by Christianity of a not too unorthodox kind and by a strong devotion to the Bible, which has kept our minds attached to the concrete and the living symbol.
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When there is a tendency to compartmentalize the spiritual and make it resident in a certain type of life only, the spiritual is apt gradually to be lost.
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When the peacock has presented his back, the spectator will usually begin to walk around him to get a front view; but the peacock will continue to turn so that no front view is possible. The thing to do then is to stand still and wait until it pleases him to turn. When it suits him, the peacock will face you. Then you will see in a green-bronze arch around him a galaxy of gazing, haloed suns.
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Once the process [of conversion] is begun and continues...you are continually turning inward toward God and away from your own egocentricity...you have to see this selfish side of yourself in order to turn away from it. I measure God by everything I am not. I begin with that.
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The operation of the Church is entirely set up for the sinner; which creates much misunderstanding among the smug.” (August 9, 1955)
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... the main concern of the fiction writer is with mystery as it is incarnated in human life.
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One of the effects of modern liberal Protestantism has been gradually to turn religion into poetry and therapy, to make truth vaguer and vaguer and more and more relative, to banish intellectual distinctions, to depend on feeling instead of thought, and gradually to come to believe that God has no power, that he cannot communicate with us, cannot reveal himself to us, indeed has not done so, and that religion is our own sweet invention.
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A God you understood would be less than yourself.
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The only way to the truth is through blasphemy.
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It was not right to believe anything you couldn't see or hold in your hands or test with your teeth.
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The meaning of the story is the story.
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As for the blood and the head business, the blood and the head work together and what is not first in the blood can sometimes reach it by going first through the head and what is wrong in the blood can sometimes be tempered by the head.
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The only way, I think, to learn to write short stories is to write them, and then try to discover what you have done.
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Manners are of such great consequence to the novelist that any kind will do. Bad manners are better than no manners at all, and because we are losing our customary manners, we are probably overly conscious of them; this seems to be a condition that produces writers.
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Your criticism sounds to me as if you have read too many critical books and are too smart in an artificial, destructive, and very limited way.
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We hear a great deal of lamentation these days about writers having all taken themselves to the colleges and universities where they live decorously instead of going out and getting firsthand information about life. The fact is that anybody who has survived his childhood has enough information about life to last him the rest of his days. If you can't make something out of a little experience, you probably won't be able to make it out of a lot. The writer's business is to contemplate experience, not to be merged in it.
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Faith comes and goes. It rises and falls like the tides of an invisible ocean. If it is presumptuous to think that faith will stay with you forever, it is just as presumptuous to think that unbelief will.
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Good and evil appear to be joined in every culture at the spine.