Flannery O'Connor Quotes
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Well, if it's a symbol, to hell with it.
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Many of my ardent admirers would be roundly shocked and disturbed if they realized that everything I believe is thoroughly moral, thoroughly Catholic, and that it is these beliefs that give my work its chief characteristics.
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Southern culture has fostered a type of imagination that has been influenced by Christianity of a not too unorthodox kind and by a strong devotion to the Bible, which has kept our minds attached to the concrete and the living symbol.
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Your criticism sounds to me as if you have read too many critical books and are too smart in an artificial, destructive, and very limited way.
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Later he saw Jesus move from tree to tree in the back of his mind, a wild ragged figure motioning him to turn around and come off into the dark where he might be walking on the water and not know it and then suddenly know it and drown.
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When I was six I had a chicken that walked backward and was in the Pathe News. I was in it too with the chicken. I was just there to assist the chicken but it was the high point in my life. Everything since has been anticlimax.
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I don't think literature would be possible in a determined world. We might go through the motions but the heart would be out of it. Nobody could then 'smile darkly and ignore the howls.' Even if there were no Church to teach me this, writing two novels would do it. I think the more you write, the less inclined you will be to rely on theories like determinism. Mystery isn't something that is gradually evaporating. It grows along with knowledge.
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Once the process [of conversion] is begun and continues...you are continually turning inward toward God and away from your own egocentricity...you have to see this selfish side of yourself in order to turn away from it. I measure God by everything I am not. I begin with that.
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Harcourt sent my book to Evelyn Waugh and his comment was: “If this is really the unaided work of a young lady, it is a remarkable product.” My mother was vastly insulted. She put the emphasis on if and lady. Does he suppose you’re not a lady? she says.
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Nobody with a good car needs to be justified.
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Satisfy your demand for reason but always remember that charity is beyond reason, and God can be known through charity.
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In most good stories, it is the character's personality that creates the action of the story. If you start with real personality, a real character, then something is bound to happen.
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We hear a great deal of lamentation these days about writers having all taken themselves to the colleges and universities where they live decorously instead of going out and getting firsthand information about life. The fact is that anybody who has survived his childhood has enough information about life to last him the rest of his days. If you can't make something out of a little experience, you probably won't be able to make it out of a lot. The writer's business is to contemplate experience, not to be merged in it.
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... the main concern of the fiction writer is with mystery as it is incarnated in human life.
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Success means being heard and don't stand there and tell me that you are indifferent to being heard. You may write for the joy of it, but the act of writing is not complete in itself. It has to end in its audience.
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Her name was Maude and she drank whisky all day from a fruit jar under the counter.
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I have found, in short, from reading my own writing, that my subject in fiction is the action of grace in territory largely held by the devil.
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Children know by instinct that hell is an absence of love, and they can pick out theirs without missing.
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The operation of the Church is entirely set up for the sinner; which creates much misunderstanding among the smug.” (August 9, 1955)
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In my travels I am often asked if college stifles young writers. In my opinion, it doesn't stifle them enough.
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I distrust pious phrases, especially when they issue from my mouth. I try militantly never to be affected by the pious language of the faithful but it is always coming out when you least expect it. In contrast to the pious language of the faithful, the liturgy is beautifully flat.
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Good and evil appear to be joined in every culture at the spine.
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The truth does not change according to our ability to stomach it emotionally. A higher paradox confounds emotion as well as reason and there are long periods in the lives of all of us, and of the saints, when the truth as revealed by faith is hideous, emotionally disturbing, downright repulsive. Witness the dark night of the soul in individual saints. Right now the whole world seems to be going through a dark night of the soul
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Remember that you don't write a story because you have an idea but because you have a believable character.