Flannery O'Connor Quotes
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Art transcends its limitations only by staying within them.
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One old lady who wants her head lifted wouldn't be so bad, but you multiply her two hundred and fifty thousand times and what you get is a book club.
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You will have found Christ when you are concerned with other people’s sufferings and not your own.
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As for the blood and the head business, the blood and the head work together and what is not first in the blood can sometimes reach it by going first through the head and what is wrong in the blood can sometimes be tempered by the head.
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In my travels I am often asked if college stifles young writers. In my opinion, it doesn't stifle them enough.
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Nobody with a good car needs to be justified.
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The truth does not change according to our ability to stomach it emotionally. A higher paradox confounds emotion as well as reason and there are long periods in the lives of all of us, and of the saints, when the truth as revealed by faith is hideous, emotionally disturbing, downright repulsive. Witness the dark night of the soul in individual saints. Right now the whole world seems to be going through a dark night of the soul
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I never understand how writers can succumb to vanity - what you work the hardest on is usually the worst.
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It was not right to believe anything you couldn't see or hold in your hands or test with your teeth.
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Where there is no belief in the soul, there is very little drama . . . . Either one is serious about salvation or one is not. And it is well to realize that the maximum amount of seriousness admits the maximum amount of comedy. Only if we are secure in our beliefs can we see the comical side of the universe.
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I don't think literature would be possible in a determined world. We might go through the motions but the heart would be out of it. Nobody could then 'smile darkly and ignore the howls.' Even if there were no Church to teach me this, writing two novels would do it. I think the more you write, the less inclined you will be to rely on theories like determinism. Mystery isn't something that is gradually evaporating. It grows along with knowledge.
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The only way to the truth is through blasphemy.
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You don't serve God by saying: the Church is ineffective, I'll have none of it. Your pain at its lack of effectiveness is a sign of your nearness to God. We help overcome this lack of effectiveness simply by suffering on account of it.
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When the peacock has presented his back, the spectator will usually begin to walk around him to get a front view; but the peacock will continue to turn so that no front view is possible. The thing to do then is to stand still and wait until it pleases him to turn. When it suits him, the peacock will face you. Then you will see in a green-bronze arch around him a galaxy of gazing, haloed suns.
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Remember that you don't write a story because you have an idea but because you have a believable character.
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The old woman was the kind who would not cut down a large old tree because it was a large old tree.
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The problem of the novelist who wishes to write about a man's encounter with God is how he shall make the experience--which is both natural and supernatural--understandable, and credible, to his reader. In any age this would be a problem, but in our own, it is a well- nigh insurmountable one. Today's audience is one in which religious feeling has become, if not atrophied, at least vaporous and sentimental.
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...free will does not mean one will, but many wills conflicting in one man. Freedom cannot be conceived simply.
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I believe the teacher's work is largely negative, that it is largely a matter of saying, "This doesn't work because ..." or "This does work because ..." The because is very important. The teacher can help you understand the nature of your medium, and he can guide you in your reading.
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I was a very ancient twelve; my views at that age would have done credit to a Civil War veteran. I am much younger now than I was at twelve or anyway, less burdened. The weight of the centuries lies on children, I'm sure of it.
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I am a Catholic not like someone else would be a Baptist or a Methodist, but like someone else would be an atheist.
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I come from a family where the only emotion respectable to show is irritation. In some this tendency produces hives, in others literature, in me both.
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The reviewer always has hold of the wrong horror.
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There are two qualities that make fiction. One is the sense of mystery and the other is the sense of manners. You get the manners from the texture of existence that surrounds you. The great advantage of being a Southern writer is that we don't have to go anywhere to look for manners; bad or good, we've got them in abundance. We in the South live in a society that is rich in contradiction, rich in irony, rich in contrast, and particularly rich in its speech.