Feist Quotes
You're an enormous sponge and everything goes in there and you squeeze it out in songs, I guess. And if you're a painter, you squeeze them out on to a canvas.
Quotes to Explore
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I seriously object to seeing on the screen what belongs in the bedroom.
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The way children are taught football doesn't encourage skill; the focus is on other areas.
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Offset's the animal out the group. But he ain't no bad guy.
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I've been described as a smart actor because I've attended college. Or I've been called an artsy jock. And I am thinking, 'So, are actors supposed to be dumb?'
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My celeb crush is Julia Louis-Dreyfus. She's hysterical, she's beautiful, and she seems like a normal person. I'm in love with her.
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I really like just super dry comedy.
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You have to actually be weighted to something to do the moonwalk, you know.
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If it's a good song, it's a good song. I'll take it.
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I would rather lose in a cause that I know some day will triumph than to triumph in a cause that I know some day will fail.
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He told us he was going to take crime out of the streets. He did. He took it into the damn White House.
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I've never had an audition like that before. They don't let you know about anything on 'Mad Men,' because it's a spoiler for everybody. I thought I was on the right track when I was cracking everybody up.
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For years, Judaism has been a sort of product put on the religious shelf, and on holidays, we would take it off the shelf and let seculars play with it for a bit. Now, Judaism is going back to being something that more closely touches everyone.
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A man is not idle because he is absorbed in thought. There is a visible labor and there is an invisible labor.
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Take those chances and you can achieve greatness, whereas if you go conservative, you'll never know. I truly believe what doesn't kill you makes you stronger. Even if you fail, learning and moving on is sometimes the best thing.
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Compared to a lot of artists, I'm usually quite covered up in videos and photo shoots.
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I'm really good at making teen angst romantic. I'm really good at dealing with heartbreak and things like that and making it into this whole experience. But there's no way to make someone-on-the-Internet-said-something-mean-about-me into romantic angst where you can listen to music and cry or whatever.
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At school, I always felt the art room was the place where you could sit and talk. It was a place of solace. I wasn't the best artist at school by a long shot; it was more the understanding and the support that came from that room.
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I toured a lot in the U.K. and Europe solo for a lack of funds, really. I left people I'd been playing with for years at home, just because I couldn't afford it.
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I didn't come from a wealthy family. I had no money. Maybe it goes back to naivete which is your greatest asset when you're young. If I was starting in comedy today and if it didn't work the first time, I'd probably quit. But I kept at it, kept at it.
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As an artist, you're pretty sheltered backstage. You often don't know what's going on out there.
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It's hard to be funny when you have to be clean.
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We had a saying at Blockbuster: 'If you don't come in on Saturday, don't bother coming in on Sunday.' We worked hard.
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Something like 80 per cent of business decisions have a location element. In fact, it's probably higher than that.
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You're an enormous sponge and everything goes in there and you squeeze it out in songs, I guess. And if you're a painter, you squeeze them out on to a canvas.
