Reed Hastings (Wilmot Reed Hastings Jr.) Quotes
Quotes to Explore
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Stax was rejoicing in the difference in who we are, and that's what you see in the film.
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Our feature film, 'Crouching Tiger, Hidden Dragon Two,' has a built-in fan base from the original film.
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I worked initially in very low-budget independent films that I often wrote. My early work was all written by myself, and then I adapted 'Tsotsi,' so I was used to the writing process being, in a way, integral to my directing. I felt it really prepared me.
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When you're in theater or the circus or film - to me it's all one - affairs happen. People fall in love.
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My office in Milan is in an old factory. I have all my companies here, including Italia Independent and Independent Ideas.
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Oftentimes, when you have a huge studio film and you have big names attached, they like to keep attaching big names.
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All my brother Eliot and I did as kids was film sketches.
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Self-actualized people are independent of the good opinion of others.
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The world's greatest city - New York City - deserves a government that works for all New Yorkers. That starts with a mayor who is independent from party bosses and special interests, who isn't afraid to be honest with the people, and who is focused on the issues New Yorkers care about most.
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If the money's right, I'll do a film.
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'Saawariya' was my debut film. It will always be the most special film.
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Film is much more visual, a scene is typically a lot shorter, you're dealing with a lot more characters, a lot more locations, and you're able to rely on things that you just can never do on the stage.
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In bourgeois society capital is independent and has individuality, while the living person is dependent and has no individuality.
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The artists that we grew up listening to was also independent like Master P, like Birdman and Lil Wayne. Those are the people that we wanted to model ourselves after. Throwing on the Cartier frames, the army-style fatigue jackets.
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Let's say there are things about 'G.I. Joe' that you specifically expect and some things that need to be in the film at certain points, whether it be relationships or certain costume aspects.
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It is one of the aims of linguistics to define itself, to recognise what belongs within its domain. In those cases where it relies upon psychology, it will do so indirectly, remaining independent.
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I was always an independent, even when I had partners.
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'Magadheera' is a lovely film which can't be recreated.
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My childhood was bittersweet in many ways. We moved around a lot. By the time I was 10, I had travelled thousands of miles, often on my own. My parents were like my friends, so it felt like I didn't really have parents at all. But in a crazy way that was very liberating. It forced me to be independent, maybe a leader, and certainly a survivor.
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It would certainly would be great to see more films featuring the black family and showing that we are capable of having that unit strong and present and beautiful, because that's so much of who we really are.
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As you know, I was a solo singer, something I just got very much used to. Turns out I'm quite enjoying being in a band!
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I want my portraits to create a space where blackness can breathe.
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I watch mostly independent films.
