Rhett McLaughlin Quotes
Quotes to Explore
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I went through a training camp; I worked extremely hard. I prepared for UFC 200. This was the big one. This one meant everything to me.
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I longed to be bright and most certainly never was. I was rather hopeless, I suspect.
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One can't live with a child of Holocaust survivors without absorbing some of the same sensibilities that her parents transmitted to her as a young girl. It is an unspoken dread, a sense of fragility, an anxious anticipation of unseen horrors.
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Even in real life, I'd rather hang out with guys.
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In a novel, it's hard to keep track of everybody.
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With kiting, you have to land a trick, and in that instant you know whether you won or lost - I knew I could become the best in the world if I trained. But with acting, there are different variations; there's not a right or wrong way. It's so hard because it's so out of your hands. I have no idea what's going to happen!
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It's rare to find women who have that balance between work and life, who are really psyched for another woman's success.
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I always thought the desert was the antithesis of peace - something that attacks you. So you don't go to the desert for peace.
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Think first of the action that is right to take, think later about coping with one's fears.
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A good novel should be deeply unsettling - its satisfactions should come from its authenticity and its formal coherence. We must feel something crucial is at stake.
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Factually, the Temple Mount is the precise location of the Temple. It's the holiest place in the world for Jews. It's the third holiest place for Muslims. And we need to respect each others' rights, freedom of religion.
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The truth is, for some absurd reason, no one is willing to admit that the interests of the producers and the theater owners are not the same.
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I was an okay singer. I was an okay dancer. But acting? Never could do it.
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We learn resignation not by our own suffering, but by the suffering of others.
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As a sportsman, my aim was to help sportspersons grow. The idea is to see what is good for sport rather than what's good for individuals.
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The National is the most advanced package of technological wonders yet assembled under one roof.
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Power always works from the corner office.
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An artist need not be a minister or a collector in church, but he must have a warm heart for people, and I find it a noble thing that, for example, no winter passed without The Graphic doing something to keep alive sympathy for the poor.
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The real art is knowing what to leave out, not what to put in.
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The unmerciful man is most certainly an unblessed man. His sympathies are all dried up; he is afflicted with a chronic jaundice, and lives timidly and darkly in a little, narrow rat-hole of distrust.
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One is told that you're either a hot writer, or you're finished and you're over. But of course, the more you hang around and the more you become aware not only of what "reputation" is for other writers, but also what your own reputation is, you become aware that it's much more complicated than the conventional media would have you believe.
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I guess I don't think about age too much. I've always felt older than I really am anyway. I'm not dreading getting older. I don't miss the anxiety of being younger and not knowing what you want or where you’re going.
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We've always wanted to be filmmakers.
