Rhys Ifans Quotes
But in reading Shakespeare and in reading about Edward de Vere, it's quite apparent that when you read these works that whoever penned this body of work was firstly well-travelled, secondly a multi-linguist and thirdly someone who had an innate knowledge of the inner workings and the mechanisms of a very secret and paranoid Elizabethan court. Edward de Vere ticks those three boxes and many more. William of Stratford gave his wife a bed when he died [his second best bed].

Quotes to Explore
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I'm hard on myself. I'm my biggest critic.
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Relationships, like cars, should undergo regular services to make sure they are still roadworthy.
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My father was a factory worker, and we were really poor. But everything I earned peddling papers and working in stores, he made me put aside for education.
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I got into politics because I was tired of complaining.
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After I recovered from 'Lioness', I wanted to write something about animals because I really like mythical creatures, especially dragons. At 12, I was one of those semi-recluses who did better with animals than people. Out of that, came the character, Daine, who could communicate with animals.
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If you keep on saying things are going to be bad, you have a good chance of being a prophet.
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I do love getting dressed up, but sometimes it's glam and edgy mixed together.
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I feel empathy for people who are trapped in a prison of self-consciousness in an uncomfortable way. We can be free, but we're so held back. So perhaps that's why I feel a duty to make my work. I feel liberated when I'm doing it, and I want other people to feel liberated through it.
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I quit college. I was studying architecture for about a year.
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Faith is personal if it's to be real.
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I refuse to confide and don't like it when people write about art.
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Though the male can be noble in reason and infinite in faculties, he is also easily amused by shiny toys, especially ones that do dumb things on his desk.
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Not knowing the thing that's chasing you is a lot scarier than seeing it right in front of you.
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Playing further up the pitch, you have more opportunities to score and provide assists, and it's something I liked right from the start.
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I'm always looking to do things that are really different from each other.
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There's a love of rhetorical skill in the Muslim world. Osama bin Laden doesn't just go on tape cassettes and say, 'America sucks.' He recites poetry; he finds things that 'America sucks' rhymes with.
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I find often in Hollywood there are many people who play themselves really beautifully. And certain parts are not that dissimilar from who you are as a person.
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I live to eat – when someone else cooks for me.
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These religions that are so freighted with their own pomposity are no better than inspired guesses.
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The fear of mistakes is the fast track to irrelevance.
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There are all sorts of inventive ways to get your film out there: sometimes via the Internet, sometimes via viral screenings in people's living rooms across the country.
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My wife is the sweetest, most even-keeled person ever. A mood swing to her is like, 'Oh, I'm uncomfortable.'
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But in reading Shakespeare and in reading about Edward de Vere, it's quite apparent that when you read these works that whoever penned this body of work was firstly well-travelled, secondly a multi-linguist and thirdly someone who had an innate knowledge of the inner workings and the mechanisms of a very secret and paranoid Elizabethan court. Edward de Vere ticks those three boxes and many more. William of Stratford gave his wife a bed when he died [his second best bed].