Arthur Morrison Quotes
It is the artist’s privilege to seek his material where he pleases, and it is no man’s privilege to say him nay.
Quotes to Explore
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I like to grow and experiment, and as an artist, it's about kicking the bar up a little.
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The navigation of our inland waters has for years been sought in vain by foreign countries, and if we grant the privilege to Russia, other States will be guided in their demands by her example.
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I guess I had a suspicion of it my entire life without knowing exactly what it was – knowing that there was something different about me, which I attributed to being an artist. At 11 or 12 I started sort of clarifying for myself. It took a while.
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I think with anything where you delve into the back story of an artist, it kind of explains their work more intimately.
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Gucci Mane is my favorite artist.
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Access to the Vedas is the greatest privilege this century may claim over all previous centuries.
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My synesthesia is mostly gone - it was a much bigger factor when I was a kid. But having no depth perception is a bonus when you're trying to lay out flat images and describe them to an artist - flat is all I see.
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The artist is the consciousness of society... but musicians' role is very special.
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Only a bad artist thinks he has a good idea. A good artist does not need anything.
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I just genuinely feel that that's what you do when you're an artist: You stick up for the people around you.
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As an independent artist, you control the means of production, which is the ultimate form of empowerment.
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I don't go around thinking about regret; regret doesn't consume me as a person... I'm not certain about whether any writer, any artist, any musician, can write without regret, so I don't think perhaps it's even particularly Southern.
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Life provides material for its agitation which makes its general views comprehensible to the masses.
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The genuine artist is never 'true to life.' He sees what is real, but not as we are normally aware of it. We do not go storming through life like actors in a play. Art is never real life.
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I was making big paintings with mythological themes. When I started painting black figures, the white professors were relieved, and the black students were like, 'She's on our side.' These are the kinds of issues that a white male artist just doesn't have to deal with.
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All the time I'm changing as an artist and as a person.
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I tend to always love material with flawed protagonists and morally ambiguous people.
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If you grow up saying, 'I want to be a lawyer,' everyone says, 'Let's give her everything she needs to be a lawyer.' But if you say 'I want to be an artist or a dancer or a painter,' it's, 'Oh, she'll grow out of it.'
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Nothing, indeed, is more dangerous to the young artist than any conception of ideal beauty: he is constantly led by it either into weak prettiness or lifeless abstraction: whereas to touch the ideal at all you must not strip it of vitality. You must find it in life and re-create it in art.
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Obviously, it's a great privilege and pleasure to be here at the Yale Law School Sesquicentennial Convocation. And I defy anyone to say that and chew gum at the same time.
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If I am elected president we will secure the border and we will end the illegal immigration.
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It is the artist’s privilege to seek his material where he pleases, and it is no man’s privilege to say him nay.
