Francesco Carrozzini Quotes
To me, the main and most exciting thing about photography is to meet people. The picture is the result of what happened between me and them on the set.
Quotes to Explore
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Fashion and interior design are one and the same.
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I'm not Cinderella.
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When I started making movies, I was pretty young, and at the time I felt like there needed to be more confrontation in cinema - or I needed to make something more disruptive - so in the beginning, those movies were me wanting to play with the rules.
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The ghastly thing about being a producer is that, once the curtain goes up, there is nothing you can do. At least when you are in it, you have some measure of control. If something goes wrong, you can maybe put it right. When you are in the audience, there is nothing you can do.
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Do you follow American politics? They hate Obama. Hate him. He's a black man. That's what it is: it's racist. This guy is no bleeding-heart liberal. He's a centrist.
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The nature of good fiction is that it dwells in ambiguity.
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Kosovo today is closer to Europe than other countries in the region of South Eastern Europe.
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Every time you go to the doctor and get a good report, the odds keep staking more in your favour.
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We love those who know the worst of us and don't turn their faces away.
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A stronger yuan could lead to greater Chinese asset accumulation in the U.S. and elsewhere.
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There is no age limit on the enjoyment of sex. It keeps getting better.
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I'm having the same problems today that I had when I first started, saying that outrageous adult animation works.
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I changed that system in Florida when I was the Speaker of the House - I was the Minority Leader; I saw for 16 years the way a power system works.
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I always love to push myself, because I am not so self-confident.
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The history of Germany is not the history of a nation, but of a race. It has little unity, therefore; it is complicated, broken, and attached on all sides to the histories of other countries.
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It's like the brooding hen sitting over a china egg.
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When you have a movie, you know who they start out as and where they go. But this is constantly changing, and you're growing with the character.
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I appreciate the constant evolution in refining food, but not in making food gimmicky.
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At the end of the day, audiences just want to laugh and be entertained. They want to escape from their reality, and that's why we make movies, to get people to escape from the realities.
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When I started writing, I was reading people such as Tom Clancy or Michael Crichton, who did 'Jurassic Park,' which is possibly the most action-filled book you'll read, apart from mine, and I said to myself, 'Why aren't these guys doing big-scale action like you would see in a movie?'
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The very word 'secrecy' is repugnant in a free and open society; and we are as a people inherently and historically opposed to secret societies, to secret oaths, and to secret proceedings.
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The first time I recorded without Allen Toussaint, I wanted to do doo-wop. Everything I've done since then has got some kind of doo-wop essence in it.
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I'm obviously aware that people are quite focused on the economy rather than foreign policy issues, but that is something that should and can be altered as people see the nature of the threats around the world that we face.
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To me, the main and most exciting thing about photography is to meet people. The picture is the result of what happened between me and them on the set.
