Riaad Moosa Quotes
Quotes to Explore
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I'm not faithful to one particular medium, and it's what I try to teach to people who work with me.
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People desire power. I don't know why they want it so. It seems to me it implies a hugely superior intellect which separates them from most of the populace.
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For me, Westernization is not about consuming fanciful goods; it's about a system of free speech, democracy, egalitarianism and respect for the people's rights and dignity.
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I worked as a telemarketer for an SAT-prep company. That was the worst of it, because I had to call people in post-Katrina New Orleans and offer them this very, very expensive SAT class. And I'm not even a good salesman.
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You know, I really miss sex scandals. They're generally colorful. They almost never mean anything over the long run. And while they're going on, the people who actually keep the government running are let alone to go about their business. Good old sex scandals.
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I'm so tired of this vision of fashion of a diva with a big ego, and you think of big dark glasses to be pretentious and keep far away from the people.
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I think Delhiites know how to party, but Kolkata has people who know how to celebrate. I think that's the main difference.
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When I'm in the U.K. – and I'm here more than people would think – I tend to keep a very low profile.
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My hope for this country is that we remain a people who value freedom, who have the courage to face the realities with faithful hearts instead of anxious ones.
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Anyone in the humor business isn't thinking clearly if he doesn't surround himself with idea people. Otherwise, you settle for mediocrity - or you burn yourself out.
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In my music and my life, I'm honest with my feelings, and people appreciate that. That's just the way I am.
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Our music attracts the people that we rap about and make music about, and they come out and actually do it.
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I want people to be drawn into the space of the work. And a lot of people are like me in that they have relatively short attention spans. So I shoot for the window of opportunity.
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My older brother, Jake, and I had a bohemian childhood. My parents are deeply unconventional people from the beatnik generation. They weren't married, and I thought that was normal. We called them by their first names.
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Twitter helps me connect to the people who help make my music, or the cycle of an album, complete. Without them experiencing the music, it doesn't really exist, so it doesn't make sense to not involve them.
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It's easy to show terrible people's behavior on screen, and we all just kind of nod and go, 'Isn't that terrible.' It's more interesting when you can show terrible behavior in the interest of something good.
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I've just taught thousands of people over the radio in the USA how to mend broken watches and broken house appliances. I am a catalyst or trigger to access these powers.
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It was a good chance for us to play for people who would never have heard us otherwise.
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It's absolutely surprising to me how well 'The State' has held up as far as people liking it and having fond memories of it, considering it's a sketch show.
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Maybe I over-do the 'not-80s' thing. It should be a part of my life that I've got some sort of pride in, but I've got this huge chip on my shoulder about '80s nostalgia - and it annoys fans sometimes.
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We all got driven out of Manhattan. It was a very conducive place for artists when I was growing up, and now it's definitely not. The city has been completely taken over by the rich.
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I was doing these performance art pop music pieces in the city. And they were a bit on the eccentric side I suppose. So people started to call me Gaga after the Queen song 'Radio Gaga.'
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We are in the the entertainment business, and we all know if you are top of the tree, you get big money.
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I think comedy tells a lot; you can tell what people think by what they laugh at.
