Nick Laird Quotes
When you're rereading or editing your book and you start to expect that this work is going to be reviewed, and you can sort of tell which line is going to show up in reviews.
Quotes to Explore
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I don't read horror, ever. When I was 15, I made the mistake of reading part of 'The Exorcist.' It was the first and last horror book I've ever opened.
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For me, any book I'm writing is also a chance to get in and research and read and learn things that I maybe only knew a little bit about before.
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A novelist's lack of awareness of and critical distance to his own body of work is due to a phenomenon that I have noticed in myself and many others: as soon as it is written, every new book erases the last one, leaving me with the impression that I have forgotten it.
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You have to write the book that wants to be written. And if the book will be too difficult for grown-ups, then you write it for children.
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For my wrap present, Colin Farrell gave me a first edition book. I got so involved with this character and I was so sad when the movie was over that when I got home and I tried to read the book I got really emotional and I started crying.
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Philosophy is written in this grand book, the universe, which stands continually open to our gaze. But the book cannot be understood unless one first learns to comprehend the language and read the letters in which it is composed.
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As children, we all hold on to the myth of omnipotence. Comics are successful because kids identify with superheroes. They'll read a book or watch a TV programme and say, 'I'm that guy.' And that guy is always the one in control.
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I think I'm gonna attach myself to the sinking ship that is book publishing.
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'Snow' is my most popular book in the United States. But in Turkey, it was not as popular as 'My Name is Red,' or even 'The Museum of Innocence,' because the secular leaders didn't want this bourgeois Orhan trying to understand these head-scarf girls.
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Obviously there's a lot more to a TV show than just a book... I think adaptations are a bit tricky for the screenwriters because they're worried about upsetting the author.
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The problems I have with a flawed script are always revealed in the editing room.
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There was a manifesto in the late '60s/early '70s, and it basically laid out what 'black art' was and that it should embrace black history and black culture. There were all these rules - I was shocked, when I found it in a book, that it even existed, that it would demarcate these artists.
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A candle is enough to light the world. It makes it clear. Even at noon It glistens in essential dark. At night, it lights the fruit and wine, The book and bread, things as they are...
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Anything created by human beings is already in the great book of nature.
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I've learned to really love revision over the years and worked hard to build up my craft muscle to make my revisions less and less painful with each book.
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I'm always sorry to finish a book, to let go of characters I love, people I've struggled to understand for years, people who evolve before me.
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The process is different for every book, but there are similarities. I always draw from the inside out. I don't plot them ahead of time, and I'm always surprised by things that happen in my books.
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I went on a Buddha jag. I read 'Confession of a Buddhist Atheist' by Stephen Batchelor and Karen Armstrong's biography of Buddha, which is a great book.
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Whenever I start a book, I swear it's going to be a short one. But then it's, 'Who was his grandfather? And how did he get there in the first place? And what kind of animals is he chasing?'
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Most of Broadway is based on a movie or a book. You don't see many original musicals.
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If you write chick lit, and if you're a New Yorker, and if your book becomes the topic of pop-culture fascination, the paper might make dismissive and ignorant mention of your book. If you write romance, forget about it. You'll be lucky if they spell your name right on the bestseller list.
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I think the potential for the program at the risk of sounding self-serving is large, some would say even limitless, so I'm excited about it and I think it can even pass next year.
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As the Only Begotten Son of the Father in the flesh, Jesus inherited divine attributes. He was the only person ever born into mortality who could perform this most significant and supernal act.
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When you're rereading or editing your book and you start to expect that this work is going to be reviewed, and you can sort of tell which line is going to show up in reviews.
