Nick Laird Quotes
When you're rereading or editing your book and you start to expect that this work is going to be reviewed, and you can sort of tell which line is going to show up in reviews.
Quotes to Explore
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I don't read horror, ever. When I was 15, I made the mistake of reading part of 'The Exorcist.' It was the first and last horror book I've ever opened.
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For me, any book I'm writing is also a chance to get in and research and read and learn things that I maybe only knew a little bit about before.
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A novelist's lack of awareness of and critical distance to his own body of work is due to a phenomenon that I have noticed in myself and many others: as soon as it is written, every new book erases the last one, leaving me with the impression that I have forgotten it.
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You have to write the book that wants to be written. And if the book will be too difficult for grown-ups, then you write it for children.
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For my wrap present, Colin Farrell gave me a first edition book. I got so involved with this character and I was so sad when the movie was over that when I got home and I tried to read the book I got really emotional and I started crying.
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As children, we all hold on to the myth of omnipotence. Comics are successful because kids identify with superheroes. They'll read a book or watch a TV programme and say, 'I'm that guy.' And that guy is always the one in control.
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Obviously there's a lot more to a TV show than just a book... I think adaptations are a bit tricky for the screenwriters because they're worried about upsetting the author.
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The problems I have with a flawed script are always revealed in the editing room.
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I've learned to really love revision over the years and worked hard to build up my craft muscle to make my revisions less and less painful with each book.
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I'm always sorry to finish a book, to let go of characters I love, people I've struggled to understand for years, people who evolve before me.
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I went on a Buddha jag. I read 'Confession of a Buddhist Atheist' by Stephen Batchelor and Karen Armstrong's biography of Buddha, which is a great book.
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Most of Broadway is based on a movie or a book. You don't see many original musicals.
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If you write chick lit, and if you're a New Yorker, and if your book becomes the topic of pop-culture fascination, the paper might make dismissive and ignorant mention of your book. If you write romance, forget about it. You'll be lucky if they spell your name right on the bestseller list.
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If we believe that the Bible is the inspired Word of God, then we shouldn't be recognizing it only as a book of historical and economic significance.
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In the prequel we're going to tell about the characters before Left Behind, and the book would end with the rapture instead of start with the rapture like the first one did.
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In the university library, we know when a book has been used in a class or put on reserve... or while it was out, did somebody call it back in. It turns out to be a pretty good indicator of how relevant the work is at that time.
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Writing a book of poetry is like dropping a rose petal down the Grand Canyon and waiting for the echo.
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Before I went off to Rutgers, I worked in a comic book shop in my hometown. At night, I would work on some comic stories, and after a while, I developed an idea for a weird little superhero spoof comic called 'Cement Shooz.'
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I like the idea of trying to write a book in every genre.
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Barcelona is one of the best cities in the world. I love it there. I love Big Sur. It's stunning and you get a therapeutic experience there. The drive up the coast is one of the most beautiful I've ever done. Also, Hong Kong. I could easily live there!
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The real difficulty is that people have no idea of what education truly is. We assess the value of education in the same manner as we assess the value of land or of shares in the stock-exchange market. We want to provide only such education as would enable the student to earn more. We hardly give any thought to the improvement of the character of the educated. The girls, we say, do not have to earn; so why should they be educated? As long as such ideas persist there is no hope of our ever knowing the true value of education.
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I'm happy to have L.A.M.B. participate in the PSP accessories show as I've always loved designing bags and accessories, It's all about creativity at the end of the day, whether you're talking about fashion, technology or music, and that's what my L.A.M.B. bags are about.
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When you're rereading or editing your book and you start to expect that this work is going to be reviewed, and you can sort of tell which line is going to show up in reviews.
