Steven Siro Vai Quotes
That's the thing about great artists: They find the thing that's most obvious to themselves, what's most conscious and natural, and they put it out there and the audience comes.
Quotes to Explore
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I loved every place I lived and traveled. London, Paris, Rome, Venice. I fell hard for Central America and Mexico. In each country, I had fantasies that I could live there.
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If you give what can be taken, you are not really giving. Take what you are given, not what you want to be given. Give what cannot be taken.
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You know, I've sold a lot of bad movies in my time.
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I still audition a lot and work really hard to get work. So I don't really walk around feeling like I've made it. My short term goals are really just to be creatively stimulated and to be excited about material I might be working on.
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I'm a self-taught musician aside from what I've been able to pick up from other players.
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I do not need a producer. I need only a good production manager. I need only a man who will give me money.
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Our culture is intent on taking the lines out of people's faces - surgically, with costly creams, and with fear and trembling - when, in fact, the opposite should be the case. As artists know, if there is anything behind a face, that face improves with age.
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When I was living in New York and didn't have a penny to my name, I would walk around the streets and occasionally I would see an alcove or something. And I'd think, that'll be good, that'll be a good spot for me when I'm homeless.
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Hopefully in the future, generational challenges will be measured by achievement, not gender.
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I don't study cricket too much. Whatever I have learned or experienced is through cricket I've played on the field, and whatever little I have watched.
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I think the thing that L.A. had on Sydney is an awesome music scene, especially for what I do.
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Modeling has always played off my D.J.-ing, but it is a fun supplement.
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Each one of us requires the spur of insecurity to force us to do our best.
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She plucked from my lapel the invisible strand of lint (the universal act of woman to proclaim ownership).
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Animation is tremendously resilient. Animation will recover, as art always recovers. There's always cycles of good art.
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A great byproduct of a TV show, movie, or play is when it can act as a catalyst for someone.
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I think I'm an American writer writing about Latin America, and I'm a Latin American writer who happens to write in English.
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It is clear enough that you are making some distinction in what you said, that there is some nicety of terminology in your words. I can't quite follow you.
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I can tell you that my family in the absolute worst of times has seen the absolute best in people. And, that has given us more strength than could ever imagine.
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There was a lot of other young players around at that time when I was coming, but there was older people like Blind Lemon, which was one of my favorites. I don't know, just seemed like everybody I heard could play better than me.
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The moral is obvious it is that great armaments lead inevitably to war.
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A great ad campaign will make a bad product fail faster. It will get more people to know it's bad.
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“I was not wholly conscious of myself, but was more keenly alive to the fire within. It was as if I were the activity, and my hands and feet were only experiments for my spirit to work upon.”
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That's the thing about great artists: They find the thing that's most obvious to themselves, what's most conscious and natural, and they put it out there and the audience comes.
