Asher Brown Durand Quotes
The less apparent the means and manner of the artist, the more directly will his work appeal to the understanding and the feelings.
Quotes to Explore
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The only thing I have learnt over the years is that if you enjoy your work and put in the best efforts, it will show. If you follow this process, things work out. But if you go chasing a formula, success will elude you.
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Because I'm so hands on here at work and always looking at fabrics you have to be mobile and as comfortable as possible.
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Too much work, too much vacation, too much of any one thing is unsound.
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It was the labor movement that helped secure so much of what we take for granted today. The 40-hour work week, the minimum wage, family leave, health insurance, Social Security, Medicare, retirement plans. The cornerstones of the middle-class security all bear the union label.
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I work as if I were going to be the next person to need a respirator. I share in the benefits I bestow on others, and my work has enriched my life.
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When I was leaving Yemen to come to America, things were tough. My dad had just been laid off, and it was a challenge. When I lived in Yemen, I thought America was a perfect place. Everything was bigger and better. I dreamed big. The American dream, you know? You have to work hard for your dream to come true.
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One is not idle because one is absorbed. There is both visible and invisible labor. To contemplate is to toil, to think is to do. The crossed arms work, the clasped hands act. The eyes upturned to Heaven are an act of creation.
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I've been a huge fan of Chris Martin forever; it'd be awesome to work with him. He's really kind, and he's been really encouraging when we've met.
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I don't necessarily prefer playing villains. I know a lot of people say they are more fun, but if the scriptwriter has done their work well, you can find something realistic in a villain and find the mistakes in a hero - it's all down to the writing.
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I don't wear my political feelings on my sleeve. However, if I'm asked, I will answer honestly.
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I certainly like it if the work is beautiful, but that's a surplus effect. I can only think about that after I consider how it's made.
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I started my career with television, and whatever work I did was keeping the content as my topmost priority. Same goes with the movies: I never grabbed any work!
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Sometimes I have a melody in my head; sometimes it's just a verse. I read lines from a book or movies that I watch and grab a few quotes and start writing on paper. From there, I record a really rough version and work on the song.
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When you work at 'The Daily Show,' you have to give 100 percent, or you're gone. The competitiveness and the minds that work in those offices are incredible.
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All that's left now is purely poetic work, putting more life into individual places, as I've made so sure of the fundamental mood and dimension of expression that it won't leave me groping around in uncertainty any more.
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It seems to be the easiest thing in the world these days to make scurrilous accusations against Muslims, and in my case it directly impacts on my relief work and damages my reputation as an artist. The harm done is often difficult to repair.
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It takes some discipline and hard work, but relying on credit when things go wrong is a trap.
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I don't know the taxpayer has perhaps much of an understanding of just how much wealth has been and is being and can be created that flows through the economy and just how many jobs depend upon it.
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I have always stuck to my guns about what I want from the work and what interests me. I've never been seduced down the evil path. The path of taking the money.
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In every other science fiction series, humans are at the top of the food chain. In the 'Babylon 5' universe, they're in the bottom third.
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'How I Built This With Guy Raz' asks entrepreneurs to tell the story of how they made their name and, in some cases, their fortune. Whether they're in the business of selling burritos or dating apps, there's inevitably something you can learn from their stories.
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In my experience, it's common that deep truths exist at both extremes of a dialectic, and the wisest stance on an issue will incorporate 'both of the opposites within itself.'
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The less apparent the means and manner of the artist, the more directly will his work appeal to the understanding and the feelings.
