Eddie Murphy Quotes
From the very beginning, I always tried to make dialogue flow comfortably; I always did that to make it seem more authentic.
Quotes to Explore
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You have to be un-comfortably comfortable in this business. There's always somebody else who wants what you have.
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The story was such that I couldn't make a graceful ending and then make a graceful new beginning. I could have, but I didn't want to. So, it isn't the most graceful way of writing a story. This new story is, I think, is pretty good stuff. I'm pleased with it anyway.
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My fiance likes drawing on napkins, which I save. I'm always scared I'll get caught taking a linen napkin from a restaurant!
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In my career, I'm always trying to do something different.
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There's a part of me that's always charging ahead. I'm the curious kid, always going to the edge.
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When you're younger they always try to get you to do every ninny role that's going.
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For some reason, when I get to the 200m, I'm always a little bit nervous.
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I always separated sports and my personal life.
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I've always been a huge reggae fan.
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My first thought is always of light.
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I'll dispose of my teeth as I see fit, and after they've gone, I'll get along. I started off living on gruel, and by God, I can always go back to it again.
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Hunger and homelessness aren't things we always want to talk about.
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To vice, innocence must always seem only a superior kind of chicanery.
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Stay humble. Always answer your phone - no matter who else is in the car.
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I've experienced many hardships, but mentally, I've always been older, and that reflects in my actions, too.
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I have always looked at my competencies before accepting any responsibility.
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Kobe Bryant has always been my favorite player, and he was drafted No. 13, too, in 1996.
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Success didn't spoil me, I've always been insufferable.
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Anyone who has been to India - specifically Rajasthan, the rich and kingly region in the country's northwest - knows that when it comes to adornment, Indians do not think like other people.
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The notion of directing a film is the invention of critics - the whole eloquence of cinema is achieved in the editing room.
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People love to hate the gravedigger.
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Without doubt, if we are to go back to that ultimate, integral experience, unwarped by the sophistications of theory, that experience whose elucidation is the final aim of philosophy, the flux of things is one ultimate generalization around which we must weave our philosophical system.
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From the very beginning, I always tried to make dialogue flow comfortably; I always did that to make it seem more authentic.
