Avinash Dixit Quotes
One of the general morals of this story is that if you have to take some risks, it is often better to do so as quickly as possible.
Quotes to Explore
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I'm not a character like Rapunzel or Cinderella; my story looks like any other.
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A story never looks as good as when the other fellow buys it.
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I'm just a regular girl who likes to go snowboarding and picks her nose like anybody else. I just like to drive into things and take risks.
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Sometimes it's less about the character and more about the story for me. I'll play a rock in the background if I think the story is fantastic and I can be a part of it somehow. That's what I look for.
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Every story I create, creates me. I write to create myself.
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People will turn their noses up at a sequel or that type of thing, but Pixar really works hard - if they're making a sequel - to make a sequel an original movie, to make it an original story.
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From the moment this war began, there was, for this state, only one policy possible, neutrality.
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The reader is going to imprint on the characters he sees first. He is going to expect to see these people often, to have them figure largely into the story, possibly to care about them. Usually, this will be the protagonist.
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Victory is always possible for the person who refuses to stop fighting.
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With a mini series you can give the story a proper sense of pacing, a proper sense of closure.
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As a writer, I had learned a lot on 'Margin Call' about embracing the weaknesses of a narrative and of a project. A story always has an inherent narrative weakness.
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The more democratic and open a society is, the more it's exposed to terrorism. The more a country is free, not governed by a police regime, the more it risks hijackings or massacres like the ones that took place for many years in Italy and Germany and other parts of Europe.
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The story of Americans is the story of arrested metamorphoses. Those who achieve success come to a halt and accept themselves as they are. Those who fail become resigned and accept themselves as they are.
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I like to surprise people. I try to take risks.
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I definitely think independent film is very exciting, and you get to sometimes take bigger risks. So that's always a challenge and something that I look forward to.
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A novel requires a certain kind of world-building and also a certain kind of closure, ultimately. Whereas with a short story you have this sense that there are hinges that the reader doesn't see.
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On the subject of literary genres, I've always felt that my response to poetry is inadequate. I'd love to be the kind of person that drifts off into the garden with a slim volume of Elizabethan verse or a sheaf of haikus, but my passion is story.
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I grew up in this world where everything seemed possible.
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I don't think it's going to be possible for the next generation of writers to tell stories without telling stories about telling stories.
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All I had, originally, were pages of Nolan's dialogue. I think his character serves the story in a nice way. He's a Greek chorus for the goings-on in the Hamptons.
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I am a man who is noble. I have a good heart, but at the same time, I'm a little malicioso. There's no way of hiding that side.
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It isn't easy to accept that suffering can also be beautiful... it's difficult. It's something you can only understand if you dig deeply into yourself.
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The people who knew me and knew my work and trusted me, they knew then as they do now that I've never fabricated or plagiarized a story. People who know me know I didn't do this.
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One of the general morals of this story is that if you have to take some risks, it is often better to do so as quickly as possible.
