Avinash Dixit Quotes
One of the general morals of this story is that if you have to take some risks, it is often better to do so as quickly as possible.
Quotes to Explore
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I'm not a character like Rapunzel or Cinderella; my story looks like any other.
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A story never looks as good as when the other fellow buys it.
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I'm just a regular girl who likes to go snowboarding and picks her nose like anybody else. I just like to drive into things and take risks.
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Every story I create, creates me. I write to create myself.
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From the moment this war began, there was, for this state, only one policy possible, neutrality.
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The reader is going to imprint on the characters he sees first. He is going to expect to see these people often, to have them figure largely into the story, possibly to care about them. Usually, this will be the protagonist.
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Victory is always possible for the person who refuses to stop fighting.
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As a writer, I had learned a lot on 'Margin Call' about embracing the weaknesses of a narrative and of a project. A story always has an inherent narrative weakness.
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The more democratic and open a society is, the more it's exposed to terrorism. The more a country is free, not governed by a police regime, the more it risks hijackings or massacres like the ones that took place for many years in Italy and Germany and other parts of Europe.
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The story of Americans is the story of arrested metamorphoses. Those who achieve success come to a halt and accept themselves as they are. Those who fail become resigned and accept themselves as they are.
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I like to surprise people. I try to take risks.
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I definitely think independent film is very exciting, and you get to sometimes take bigger risks. So that's always a challenge and something that I look forward to.
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A novel requires a certain kind of world-building and also a certain kind of closure, ultimately. Whereas with a short story you have this sense that there are hinges that the reader doesn't see.
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On the subject of literary genres, I've always felt that my response to poetry is inadequate. I'd love to be the kind of person that drifts off into the garden with a slim volume of Elizabethan verse or a sheaf of haikus, but my passion is story.
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If not for the success that medicine has made, I might be part of a much different story right now.
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I love stories with love in them. I just prefer those films. Every so often, I come across a film where there's no love story. It doesn't have to be romantic, but there's a lack of love, and I don't get that.
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I'm without a doubt a producer first. The lyrics happen towards the tail-end of the process, mainly because they're more stream-of-consciousness. It's very rare that I'm going to tell a really concrete story.
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To every object there correspond an ideally closed system of truths that are true of it and, on the other hand, an ideal system of possible cognitive processes by virtue of which the object and the truths about it would be given to any cognitive subject.
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No two persons ever read the same book.
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Freedom is never given; it is won.
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I wanted to write with emotional honesty and tell a story people could connect with. And I wanted people to know how the foster system in America fails children; and how, at 18, they fall through the cracks. Then we can all work together and give support.
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I believe that time destroys everything. You can take one beautiful apple, red. After a while, it becomes shrivelled and full of worms, just like what happens to us.
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One of the general morals of this story is that if you have to take some risks, it is often better to do so as quickly as possible.
