Richard Pryor Quotes
You can have a film and have 200 white people working on it, and nobody finds anything wrong with that. But if you insist on having a black crew, all of a sudden there's something wrong.
Quotes to Explore
-
Stage and film are just two wildly different animals. Why compare the two?
-
That show, 'The Amazing Race' - is that about white people?
-
Besides black art, there is only automation and mechanization.
-
African-Americans are not a monolithic group. So, we tend to talk about the black community, the black culture, the African-American television viewing audience, but there are just as many facets of us as there are other cultures.
-
My mum is my biggest critic. She said I was good for the first film, but I can still be better, and I need to polish my acting skills.
-
Film has always been a really good tool for me to communicate emotion about why I create a collection. I'm probably one of the first designers to make short films.
-
We have a vision of South Africa in which black and white shall live and work together as equals in conditions of peace and prosperity.
-
I'm extremely particular how my look should be in a film.
-
The film depends on the audience's belief in this relationship.
-
I'm comfortably asocial - a hermit in the middle of a large city, a pessimist if I'm not careful, a feminist, a black, a former Baptist, an oil-and-water combination of ambition, laziness, insecurity, certainty and drive.
-
It's a wonderful thing to see a segment of our population that is open and eager to learn more about Chinese culture. It has filtered into the mainstream. You see credit-card ads on TV with white couples and Chinese babies.
-
I was in the trade field as White House fellow in the first Bush administration.
-
In my wildest imagination, I never thought that the fifth of six children born to Helen and Buddy Watts - in a poor black neighborhood, in the poor rural community of Eufaula, Oklahoma - would someday be called Congressman.
-
I used to be Snow White, but I drifted.
-
I love moments in film where there's no dialogue, and somebody communicates something with a look that kills you. That's why I love going to the cinema.
-
When no one knew who Dana White was... Dana White used to run around with me, hang out with me, and I treated him just like anyone else in my camp.
-
I learned early that I had to work harder than the white kids and harder than the boys.
-
I believe black characters in fiction are still revolutionary, given our long history of erasure.
-
I hope people listen to black people more. You'd be surprised how little people listen to black people when it comes to racial issues. It's weird.
-
The Blossoms had gotten so we were working seven days a week, three or four sessions a day, which was literally killing us, physically. With the instruments that the musicians play, they can do that, but not with us using our voices.
-
Beware of trying to accomplish anything by force.
-
When I was a kid, those were carefree days without much pressure.
-
Write to one person, not a million.
-
You can have a film and have 200 white people working on it, and nobody finds anything wrong with that. But if you insist on having a black crew, all of a sudden there's something wrong.
