Camille (Camille Dalmais) Quotes
Quotes to Explore
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Every one of us, no matter how damaged or abnormal or shut down, we're all looking for love. Every person needs love in this world, but our views on what love is vary enormously.
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I love people who break boundaries and always create something new and fresh.
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I've never loved anybody the way I love my children.
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I will meet my countrymen. I understand only one language: that they are my countrymen, they are my brothers. You may see with whatever colour you want; Modi will not go into that colour.
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I enjoy the challenge of trying to say things beautifully. The message is secondary in that sense. Obviously, I have something that I want to say that's very, very important to me – but the process of actually crafting it is essential.
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Human beings are at their core defined by what they worship rather than primarily by what they think, know, or believe. That is bound up with the central Augustinian claim that we are what we love.
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I think the most important thing we as writers can do is figure out how we define what success will mean to us and focus on that.
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'I keep hoping you’ll tell me. You’re the god, after all. If I prayed to you for guidance, and you decided to answer, what would you tell me?''I wouldn’t answer.''Because you don’t care? Or because you wouldn’t know what to say?'More silence.
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All liaisons between homosexuals are conducted as though they were between a chorus girl and a bishop. In some cases both parties think they are bishops.
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I've tried several varieties of sex, all of which I hate. The conventional position makes me claustrophobic; the others give me a stiff neck and/or lockjaw.
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Relief brought an aching desire to be sitting in a kedai with a large bottle of Tiger or Anchor or Carlsberg in front of him....
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What argument have they to persuade the young men to fight except merely in another squalid attempt to defend themselves against a redistribution of the international swag?
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Class instinct is subjective and spontaneous. ... To arrive at proletarian class positions, the class instinct of proletarians only needs to be educated; the class instinct of the petty bourgeoisie, and hence of intellectuals, has, on the contrary, to be revolutionized.
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Every team, in some sense, plays dirty. The game of football is dirty.
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The writing process, it's too mysterious to try and describe.
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I think it's a very old and deep-seated double standard that holds that when a man writes about family and feelings, it's literature with a capital L, but when a woman considers the same topics, it's romance, or a beach book - in short, it's something unworthy of a serious critic's attention.
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We need to protect our wilderness areas and national parks. Everywhere you travel, you see blight, denuded mountains, logging. If people know what's going on, they'll become activists to safeguard those places.
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You have to play with the mentality that you are about to lose your job, and that they're going to talk about 'The Other Guy' first. You have to think, 'I want my name mentioned first.'
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My opportunities were still there, nay, they multiplied tenfold; but the strength and youth to cope with them began to fail, and to need eking out with the shifty cunning of experience.
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Waterworld was the best time of my life. It was physically demanding, but it was fun. I mean, you're in Hawaii for nine months shooting on the water every day.
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Thus, flexibility, as displayed by water, is a sign of life. Rigidity, its opposite, is an indicator of death.
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If I wrote in Jacob Riis' time, I'd be writing about teeming slums in our cities and kids dying of tuberculosis or outhouses in Philadelphia or kids losing their toes because they were living in homes without heat. He took on a battle in 'The Battle with the Slums' - and we won.
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I don't understand water and gravity.
