Richie Havens Quotes
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When I write a song today, basically it goes on the stage tomorrow. That's the way it works. You cannont interrupt your consciousness; it all comes from the subconscious, it can happen anywhere. It could be in a telephone booth.
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Woodstock happened in August 1969, long before the Internet and mobile phones made it possible to communicate instantly with anyone, anywhere. It was a time when we werent able to witness world events or the horrors of war live on 24-hour news channels.
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I tended to listen to doo-wop, but my grandmother would always have the radio on all day and she'd start with Yiddish and then move on to gospel and later to "make believe" ballroom music. I got to hear all kinds of music and my mother would get up to go to work listening to country music. That was her alarm clock. My dad was a jazz lover and listened to the man who wrote "Misty", Errol Garner. He loved piano players, so I got to listen to that as well.
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Woodstock was both a peaceful protest and a global celebration.
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Woodstock was not about sex, drugs, and rock and roll. It was about spirituality, about love, about sharing, about helping each other, living in peace and harmony.
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My right wrist is connected to the left foot. You know, if the left foot doesn't work, the right wrist doesn't work, and that's really the truth.
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I remember the first time I was booked into a jazz club. I was scared to death. I'm not a jazz artist. So I got to the club and spotted this big poster saying, 'Richie Havens, folk jazz artist.' Then I'd go to a rock club and I'm billed as a 'folk rock performer' and in the blues clubs I'd be a 'folk blues entertainer.'
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My mother's family came from the British West Indies. And my father's family came from, well, my father's father came from the Montana/South Dakota area. They were Blackfoot Indian.
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Live Aid was a baby Woodstock, a child of Woodstock, which I call Globalstock.
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Richie is the only one of my nine who's really moved away. I can't get rid of most of them.
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I believe I inherited my sense of music from my father. My father was an ear piano player; he could just hear something and play it.
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Everything I want to do, and to accomplish, is on the other side of the universe. That's peace of mind, energy, freedom. And I'm making myself ready to go, joyfully and willingly. I think I'm ready to be everybody's friend, and to do anything for anybody. It's heavy.
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Though it's frequently portrayed as this crazy, unbridled festival of rain-soaked, stoned hippies dancing in the mud, Woodstock was obviously much more than that - or we wouldn't still be talking about it in 2009. People of all ages and colors came together in the fields of Max Yasgur's farm.
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I'm not in show business; I'm in the communications business. That's what it's about for me.
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The direction for my music is heaven, of course. We gear all things to the realm of heaven - which is the mind, the organized mind.
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I opened the Woodstock Festival even though I was supposed to be fifth. I said, 'What am I doing here? No, no, not me, not first!' I had to go on stage because there was no one else to go on first - the concert was already two-and-a-half hours late.
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I started out by myself, but it eventually turned into a trio by the mid-'60s - a conga drum and another guitarist. And that's been mostly what I've worked with most of the time.
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I must have played every college and university at least three times, and that goes for most of the clubs. I'd be on the road six days a week, go home and change bags, and then be gone for another six days.
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I believe we have a double in every country. There's something about that that is probably a commonness that we don't make note of. That maybe there's only a cast for so many faces, and we live everywhere.
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I came up in Brooklyn singing doo-wop music from the time I was 13 to the time I was 20. That music served a purpose of keeping a lot of people out of trouble, and also it was a passport from one neighborhood to another.
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I don't get sick. I can't afford to get sick.
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Nothing has really changed. We had bootleg albums in the '60s and today we have Internet file sharing. They just found a better way to do it -- get music for free. What's great about today is an artist has an opportunity to go direct to their audience without dealing with a middleman. People can go directly to the web for CDs, DVDs and downloads. I think that's the best thing that's happened, that people's music is being flashed around the world.
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I saw the Village as a place you could escape to, to express yourself. When I first went there, I wrote and performed poetry. Then I drew portraits for a couple of years. It took a while before I thought about picking up a guitar.
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I eat once a day if I remember, and I try never to go to sleep.