Carl Everett Quotes
Quotes to Explore
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Let no one weep for me, or celebrate my funeral with mourning; for I still live, as I pass to and fro through the mouths of men.
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My price is five dollars for a miniature on ivory, and I have engaged three or four at that price. My price for profiles is one dollar, and everybody is willing to engage me at that price.
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My main focus when I do my makeup is my eyes - I accentuate my eyes, and they look bigger. More 'va va voom,' I guess you can say.
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I started running 3 miles every morning after throat surgery to remove a cyst last year. The gym used to be my adversary. But that has all changed. Now, I look forward to it every morning.
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I'd rather lose an argument than get into a long discussion in order to win it.
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It was very much a cry for democratic control at that time. Above all, breaking the accomplished power of a few people to rule the lives of everybody else.
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If you compromise and hire someone mediocre, you will always regret it.
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I've never left China. My family's been there for 600 years. But my architecture is not consciously Chinese in any sense. I'm a western architect.
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Judgment of the people is often wiser than the wisest men.
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I'm a workaholic because I don't want to not work. When you come from basically nothing and you have so much good things happening for you sometimes you have to sacrifice.
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Planning is thinking beforehand how something is to be made or done, and mixing imagination with the product - which in a broad sense makes all of us planners. The only difference is that some people get a license to get paid for thinking and the rest of us just contribute our good thoughts to our fellow man.
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Americans are the nicest, most generous, and sentimental people on earth. Yet Americans have killed more unborn children than any nation in history.
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Willpower is essential to the accomplishment of anything worthwhile.
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God put a cross between you and hell. If you want to go to hell, you will have to crawl over the cross of Jesus.
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Most achievements in science are to a certain degree group efforts.
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I like creating these moments where there's this dichotomy between something that repels you but is still so attractive that you can't stop looking. You still want to acquire it; there's still that level of aspiration for the image of the figure or the person you're looking at. when you look at the work there's this, "Oh it's really beautifully rendered!" or, "I love those beautiful tones." There's some aspect that's really attractive but the image itself could be slightly distributing.
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I don't know why everyone was stressin' because we weren't losing those games
