Carlos Beltran Quotes
I learned that I have to work hard every day, that I can't get down if I get in a slump.
Quotes to Explore
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I got a note from my father, who said that Success is wonderful, if you don't inhale. That was his own aphorism, and I think it's the very best thing he could have said to me or anyone else on the subject.
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Its no secret that I've never liked tax credits.
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Everything with me is pretty close to the surface, but having kids has completely ruined my emotional equilibrium.
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I would like to one day play a man. That is something I do know. I don't know what kind of man. I don't know if that would ever happen or not. It would be the ultimate challenge.
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I have a Rhodesian Ridgeback dog named Lola.
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We did a lot of those road trips, all the mandatory stuff that you should when you're a kid, like Mount Rushmore and the Grand Canyon and the Sequoias and the western coast.
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The friends I knew who tutored were well paid for work that seemed far less grueling than waitressing or late-night newspaper copy editing or all the other side gigs I attempted in my early twenties.
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All action takes place, so to speak, in a kind of twilight, which like a fog or moonlight, often tends to make things seem grotesque and larger than they really are.
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For 'Rosa Luxemburg,' I read everything by and about her, but the first time I was stuck in that corset, I got an understanding of her that I'd never had before.
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London is too full of fogs and serious people. Whether the fogs produce the serious people, or whether the serious people produce the fogs, I don't know.
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You must learn to be still in the midst of activity and to be vibrantly alive in repose.
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It's funny, oftentimes the really great roles that I enjoy are in classic plays, and there aren't many theatres in New York who will do them, aside from Roundabout.
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I do think musical-theater actors can get a bad rap, and I see why. There is a certain slickness - there's nothing better than an amazing musical, but an okay musical can be one of the worst times you've ever had.
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The only thing that matters to me is getting to the work - getting to do the work. And I don't really care where it is: whether it's on stage or on television or in film.
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Because of its shortcomings - driving range, cost, and recharging time - the electric vehicle is not a viable replacement for most conventional cars.
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The characters in my stories all have quite loud lives in my head. It's a relief to get them on the page. Often they come from people I've noticed or overheard - but that is only a part of them. It's only by writing that I discover who these people really are.
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I think of the French polymath Boris Vian (1920-1959) who burned the candles of his creative genius at every end he could light. And I think of the way Zimbabwean author Dambudzo Marechera (1952-1987) hammered with
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At the heart of every story is conflict - whether external or internal, make it a good one, and remember that this problem is going to shape your character, leaving her forever changed.
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I had to wait 110 years to become famous... I intend to enjoy it as long as possible.
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I immediately said yes for one reason and one reason only....Netflix rhymes with Wet Chicks.
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Steve Martin is a legendary actor and a wonderful person to work with. He's incredibly well prepared, and funny off the set.
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One hates to be absolute, but in my view, there is no such thing as humane meat.
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I've already had a hard time dealing with some of the trappings of success and turned to some pretty stereotypical escape routes - ways of escaping my own reality and falling into some pretty clichéd situations.
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I learned that I have to work hard every day, that I can't get down if I get in a slump.
