Malcolm Boyd Quotes
Quotes to Explore
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'One Hundred Years of Solitude' is a masterpiece because it is an episodic novel that has a rigorous form - an unprecedented combination. From the very beginning we know the town of Macondo will endure only a century, so there is a limit to the length of the narrative.
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A child learns to discard his ideals, whereas a grown-up never wears out his short pants.
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When you carry out acts of kindness you get a wonderful feeling inside. It is as though something inside your body responds and says, yes, this is how I ought to feel.
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Not long ago I made a list of Doc Ford books I would like to do, and I came up with 11 pretty easily. I like to let the characters go their own ways and see what happens. I find them fascinating.
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I went to church when I was younger, but it was never something pushed down my throat or anything, which is a good thing. I found out for myself where I belonged.
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In England we burnt redheads at the stake, because we thought they were witches. There are still young redheads in Britain getting ripped for having red hair. 'Oy, Ginger!'
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A lot of American playwrights seem to have a career as a playwright. I don't consider it a career at all.
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When women criticized men, I called it 'insight'... When men criticized women, I called it 'sexism' and 'backlash.'
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After my stellar first grade academic achievements, I continued to perform well in the city primary schools - except for penmanship, which was not my forte.
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'The Museum of Innocence' is not about politics; it's a love story, but I think it's political in the sense that it wants to capture how a man suppresses a woman.
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As far as guys who perform onstage, I love Chris Rock. I'm kind of jaded on everyone else.
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All that stuff about heavy metal and hard rock, I don't subscribe to any of that. It's all just music. I mean, the heavy metal from the Seventies sounds nothing like the stuff from the Eighties, and that sounds nothing like the stuff from the Nineties. Who's to say what is and isn't a certain type of music?
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It is vain to say human beings ought to be satisfied with tranquillity: they must have action; and they will make it if they cannot find it.
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I think when you're a TV presenter, you have to have a reason for doing it, and a lot of them have been around a long time and grafted for that. The reason why it works with me on 'The Xtra Factor' is because I was a contestant on it, and I have a relationship with the viewers at home.
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We are embedded in a biological world and related to the organisms around us.
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I grew up on the stage, and there's no two ways about it: you only get one chance to do your bit.
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'Vagabond' is about owning where I come from, understanding the real power music had to transport myself with, whether that's busking in Europe or getting number ones.
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There is a growing recognition of the importance of really bringing pollution under control.
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Experience supplies painful proof that traditions once called into being are first called useful, then they become necessary. At last they are too often made idols, and all must bow down to them or be punished.
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I pray for discretion every single night, that I can see through people, see what their greater good is. Sometimes that individual 'wows' you by the eye, but when it come to heart to heart, that person's not there for you. That's not just females. That may be friends, people who come into your life just to use you for who you are.
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I can totally identify with the younger kids. I'll never do what Jon Spencer did to me when I was 16, though. I made a tape with my friends and I put it onstage right near his mic stand by the pedal board and he pulled it out with his foot, kicked it to the center of the stage, looked me in the eye and stomped it to pieces.
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Yes, I am mad - like the Marquis de Sade was mad, like Giordano Bruno was mad, like Antonin Artaud was mad.
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I have glaucoma, so use eye drops both morning and night.
