Carolina Kluft (Carolina Evelyn Klüft) Quotes
Quotes to Explore
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And there is no trade or employment but the young man following it may become a hero.
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I didn't know I was compared to Elizabeth Montgomery, but I think that I'm in very good company with her.
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In studio films, everything has to be boxed in, everybody needs to know beforehand - this is comedy, this is sci-fi, this is drama - and what's the point of independent film if you don't get to experiment?
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I don't want to be the type of person to have my relationships plastered in magazines.
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Daring is not safe against daring men.
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I'm drawn in some strangely natural way to immersing myself in a milieu whose rules I don't understand, where there are things you can't access simply by being intelligent or doing well in school.
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I remember before the Olympics, I was asked, 'What do you think you're going to do in the Olympics?' and I said, 'I'm hoping I'm going to win a medal, and, if possible, it's going to be a gold one.'
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I am going to Rio with a chance of a medal.
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My hand is the extension of the thinking process - the creative process.
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Every crowd has a silver lining.
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My aim is that every sermon series I preach is prepared as though I were teaching a college-level course.
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For me, the opposite of scarcity is not abundance. It's enough. I'm enough. My kids are enough.
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I was never OJ's closest pal, and the media would say that over and over, but I wasn't his enemy either.
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My parents were not musical, and they were not effervescent people; everything was very quiet. The music that I played was loud; it used to drive them up the wall. My father died, and that was a tragedy for everybody, but suddenly I didn't have anybody to stop me from doing what I wanted to do.
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My mother-in-law, Nanny, spent her working years as a bookkeeper at a medical office in Columbus, Ohio. Like so many Americans, she worked hard and paid into Medicare, knowing that one day she could count on having high-quality health care when she needed it most.
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'A Tuna Christmas' is the second in a series of plays created by Joe Sears and Jaston Williams featuring the fictional town of Greater Tuna, the third-smallest town in Texas. What makes these plays so hysterically funny is the accurate portrayal of small-town life in the Lone Star State.
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Everyone dies, and before that, most people eventually lose some of their faculties. So some people worry that as marketers get better at targeting the elderly, the line between advertising and unscrupulous manipulation will be harder to discern.
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I feel like I can represent both countries, in a way, because I have a Korea face, but I was born and raised in the States.
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I want titles: it's what I want and what I lack. I give everything for it.
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When you are dealing with something that's crazy, you still want actors to play characters and find the reality of the situation, no matter how absurd the situation is.
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When I did 'Fast Times,' I felt very close emotionally to the characters. I liked those characters because they all had to work, so they were dealing with adult problems even though they were very immature, and I could relate to that.
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Every role I have played has had a bit of me in them.
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I was looking for projects, as you always are, and I read this scene . . . and I'm in the Hollywood Hills. So I thought, 'This is interesting.' You have this setup that seems to be based in some reality and you can only wonder where Black's going to go with this.
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I'm not disappointed (at not leading), I'm just trying my best.
