Natalia Kills Quotes
Quotes to Explore
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I like to prove people wrong.
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I just enjoy being onstage and relating to the audience.
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I love making movies, but a movie becomes your entire life for, like, two to two and a half years. There's no way around it; if you're really going to be serious about a movie, it has to be your life.
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The feeling of friendship is like that of being comfortably filled with roast beef; love, like being enlivened with champagne.
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When the needs of one person are being met by the other, there is laughter.
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I like to grow and experiment, and as an artist, it's about kicking the bar up a little.
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Maybe I should pretend like I'm not insecure, but I really am. This movie is going to come out and... will people like it? Will they like Rey?
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I could see that, if not actually disgruntled, he was far from being gruntled.
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I grew up in different parts of Africa. I grew up in Mozambique and places like that. I've been in South Africa many times.
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I can swear like a fishwife.
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I like a sort of androgynous look, but I also love feminine shapes.
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If bigots behave like bigots, it's not a huge surprise.
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I must be like the princess who felt the pea through seven mattresses; each book is a pea.
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I didn't like the idea of being foolish, but I learned pretty soon that it was essential to fail and be foolish.
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Calling a taxi in Texas is like calling a rabbi in Iraq.
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Most artists like to think of themselves as rugged individualists, as independent characters.
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Everything I record, I just try to sound like me and come up with songs that suit what I do and then just go for it. I never know what the public's going to like, anyway.
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I have a lot of vinyl, but I only buy old records on vinyl. Like secondhand. It's too expensive otherwise.
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I'd like to see one person - just one - who would own up to having been a coward.
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I wrote poetry before I wrote songs, and T.S. Eliot was my inspiration. I love his honesty and try to bring that to my own songwriting.
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Hamp would ask me about tempos in the band: 'Jacquet,' he'd say, 'knock off that tempo.' A lot of jazz musicians didn't prefer to play for dancers, which was their loss, really. But good jazz has always had that dance feel.
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You do the best job you can. You take it step by step. It's hard enough to make a movie. If it works, that's great. If it means something beyond the moment to somebody, they can take it and it lasts through the years, we'll see.
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My only way of getting my uncles' attention or aunts' attention or whoever's attention was by dancing and singing around the house.
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I didn't really like being on television at all.
