Ridley Scott Quotes
Quotes to Explore
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It's hard to make a good movie in four weeks. It's hard. I've done it, but it's not easy.
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I love roles that don't really have a template or a paradigm and force me to create using my own imagination... that really, really turns me on.
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When you have my confidence, I will do 200% for you.
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I don't remember anybody's name. How do you think the 'dahling' thing got started?
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A lot of times characters are combinations of people I come across in life. I people-watch a lot.
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Society is the body; individuals are its members, its limbs. Just as the various limbs help and co-operate with one another and thus are happy, so each must unite with others in being helpful to all in thought, speech and action... One may see to the good of one's own group, i.e., the group that is immediate to him, and then proceed to others.
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So, it's like: I'm an OK singer; I'm an OK guitar player and you put them together and... it's just OK.
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Anything that's made by humans is about humans, whether it's about gods or aliens or anything; it's about some sort of expressive nature about us.
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It's different for every project. Some parts are quicker than others to get and know; sometimes right up until the last moment you're just praying that something will click. But you can only do a certain amount of work and then at some point you've got to think: 'OK, I'm just going to have to leap now.'
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Being multi-disciplined is always a good thing.
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I always believed in if you give your best, people will see it, and it moves to the next level. I got my first movie, and I gave it my best. Before I was done with that movie, I was offered my first feature film.
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I don't envy young actors.
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I try and direct environmentally, so that people don't feel like everything is going to depend on what happens when someone says, 'action,' so that they can literally be swimming in the warm water, and at some point the race begins, and at some point the race ends, but it is about being free to swim.
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I was 12 when it really hit me. I did children's theatre camp during the summers and played a fairy in 'A Midsummer Night's Dream.' The next summer, I played Clytemnestra in 'Agamemnon' and I was like, 'OK, this is amazing.'
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One nice thing about making jokes is that you don't have to prove them.
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I don't know that I'd call myself an optimist.
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So long as war is the main business of nations, temporary despotism - despotism during the campaign - is indispensable.
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There will always be that dreadful monster prejudice to do extra battle against because of their color.
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There's a latter-day notion that artsy hippie types in the 1960s disdained the space program. Not in my experience they didn't. We watched, transfixed with reverence, not even making rude remarks about President Nixon during his phone call to the astronauts.
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I admit that Post-it note sheets that adhere to virtually any surface are now my substitute of choice for retention.
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What's in my mind is that I'm investing in people. It might be through a building or a program, but I'm investing in people. And the people that I'm investing in are underprivileged or hold a core value that I believe in.
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I've been writing songs since I was at least 20. That's what I wanted to do before I became a model.
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In the winter of 2012, as my fiftieth birthday approached, I began to write what turned into my autobiography, a look at my own life through the lens of food.
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It's everything and I always make decisions about the cast.
