Thomas Edward Yorke Quotes
Quotes to Explore
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For 120 minutes, 'Birdman' floats from comedy to surrealism to high drama to quiet brilliance. I felt so inspired by watching this movie. It reaches for the sky and never comes back down to earth.
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To me, there's no point in writing merely to entertain.
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The experience of making a movie is far removed from watching the end result. It's exciting, but it still makes me squirm.
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It was always my dream to write for a living.
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It's true that I'm not ashamed of my body. I'm comfortable, and I think more women should be more confident.
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I've made club songs, and I've made radio songs, and I've made the car songs.
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I'm worried a lot of our work day as artists is a producer's creation - not an artist's creation.
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I have had a few turning points, the first day I entered a gymnastics school at age 6.
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When I first went to 'National Geographic,' I thought I was the least qualified person to step through the doors. But because of my parents and the culture of continual learning they imposed on us, I later came to believe I was the most qualified person who ever worked there.
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People say my music is English. I don't know what it is. Maybe it's not me writing English music, but that English music is becoming more like me.
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From the employees' standpoint, in 1935, Social Security was a big gamble. Employees would be required to participate in the program, contributing a percentage of their income for their entire adult working life.
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Whether life is worth living depends on whether there is love in life.
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I want to be sublimely happy.
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I'm from a little island off of Massachusetts, Nantucket. It's hard getting into the music business from there, but my parents took me to songwriting festivals because I would write and produce my own music.
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Effort makes some great men famous. Even greater effort enables other great men to remain unknown.
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If you have a chance to win the game, you're going to try to go for the game.
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Nothing amuses me more than the easy manner with which everybody settles the abundance of those who have a great deal less than themselves.
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I would like to say that I was inspired to write 'Shiver' by some overwhelming belief in true love, but here's my true confession: I wrote 'Shiver' because I like to make people cry.
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When an idea is just rising on the horizon, the soul's temperature with respect to it is usually very cold. Only gradually does the idea develop its warmth, and it is hottest (which is to say, exerting its greatest influence) when belief in the idea is already once again in decline.
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Certain categories of us are more crucial to our identities than the kind of car we drive or the number of dots we can guess on a slide—gender, sexuality, religion, politics, ethnicity, and nationality, for starters. Without feeling attached to groups that give our lives meaning, identity, and purpose, we would suffer the intolerable sensation that we were loose marbles floating in a random universe. Therefore, we will do what it takes to preserve these attachments. Evolutionary psychologists argue that ethnocentrism—the belief that our own culture, nation, or religion is superior to all others—aids survival by strengthening our bonds to our primary social groups and thus increasing our willingness to work, fight, and occasionally die for them. When things are going well, people feel pretty tolerant of other cultures and religions—they even feel pretty tolerant of the other sex!—but when they are angry, anxious, or threatened, the default position is to activate their blind spots.
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I'm sixty-eight, I cry every chance I can.
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I'll drown my beliefs. To have you be in peace.
