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I was a huge fan of comedy and movies and TV growing up, and I was able to memorize and mimic a lot of things, not realizing that that meant I probably wanted to be an actor. I just really, really amused myself and my friends with memorizing entire George Carlin or Steve Martin albums.
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I had kind of sworn off network TV a while ago.
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I joke that my niche in Hollywood has been naked foreigners.
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Just watching Jack Lemmon made me want to get into this business.
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I've done literally 100, 150 different characters.
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The craft Emmys are kind of the kids' table at Thanksgiving. You're not really invited to the big dance. It's still really, really exciting, and the statue still counts.
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I bartended for a catering company for two or three years.
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I wore a thong and a bra and a wig. Those things hurt. I mean, thongs? Like, they dig in. It takes a tough man to be a woman.
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I ask for a lot of advice from different fathers - all kinds of dads.
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I love acting, but I want to explore other things.
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I tend to not watch things that are current. And then if everybody swears it's amazing then I'll like watch the whole series in a weekend.
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You have to always physicalize, when you do animation recording. Otherwise, you won't get the performance right.
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When you mimic everyone, sometimes authority figures really don't appreciate it which is not an original story. And pretty much every comedian has some tale of that.
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You know, I was a huge fan of comedy and movies and TV growing up, and I was able to memorize and mimic a lot of things, not realizing that that meant I probably wanted to be an actor.
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You know those award shows. The cliche is that it's an honor just to be nominated, but that happens to be true. Whoever wins it in the end, I don't know, sometimes it feels arbitrary. Sometimes it feels like it's deserving.
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Being funny with a funny voice is more my comfort zone, a broader character that I try to humanize, a kind of silly or wacky persona that I try to fill in.
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The 'Family Ties' role was the first of many gay roles that I've ended up playing. I remember that I made them laugh, and it made me feel good, 'cause it really cracked them up.
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I would love to do Broadway again.
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When you're on a series that's been cancelled, there's a little bit of a stink on you.
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When I was young in L.A. and I couldn't get into clubs or restaurants, I would call imitating celebrities and get a table, and it would work often. I was either Stallone or Mickey Rourke: 'This is Sly. I may be late, but my buddy Hank will be there early.'
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It's not really difficult to go from one voice into the next.
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My ultimate is Peter Sellers - his ability to go broad and somehow humanize that and be hilarious at the same time. He was just relatable, real at the same time as insane. I find Ricky Gervais absolutely hilarious. Steve Martin is another hero of mine - he's a genius.
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I have no new voices - they've all been used.
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In my cranky old age, I actually prefer recording alone now, on 'The Simpsons,' for example, because I find that the director can just focus on what I'm doing and I can do a lot of variations. A lot of times, when I record with a group, I'll stay after class for another hour or two.