Carrie Vaughn Quotes
Quotes to Explore
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I never took hallucinogenic drugs because I never wanted my consciousness expanded one unnecessary iota.
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I would love to be a singer if I had the talent for it. I'd love to be a graphic designer if I had the talent for it. Those are things I've always just admired - the work of other artists.
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Fashion is what you adopt when you don't know who you are.
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You know, I'm kind of a wild crazy workaholic guy.
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I do hot yoga and TRX, a kind of suspension training.
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For clothes and accessories, I love my friend's boutique; One by One and UT.LAB for shoes.
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I go to Malawi twice a year. It's where two of my children were adopted from, and I have a lot of projects there that I go and check up on and children who I look after. It's sort of a commitment that I've made to this country and the hundreds of thousands of children there who have been orphaned by AIDS.
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The first girl you go to bed with is always pretty.
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Consequences of linear thinking in Afghanistan and Iraq included overestimating indigenous forces' capabilities, underestimating the enemy, and the associated expectation that the coalition could soon reduce force levels and shift to an exclusively advisory effort.
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I know how to make the difference. When I make the difference, I often do it at the end of the match, and that shows that I am fresh.
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People throw things at me sometimes, at big festivals.
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There's no such thing as a non-final cut director.
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I am constantly thinking ahead to what I want to write about in the future, and when I'm done with one project, I give myself a little time and then start the next one.
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Maven is very much a haunting presence in 'Glass Sword.' His influence is everywhere, and he dogs Mare and Cal like no other. He's my favorite character to write because he's so complex, but also because he affects everyone else so deeply. He's kind of like the source of gravity. Everyone moves around him and what he's done.
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I don't second-guess our playcalling or wanting to throw it. Honestly, we've got terrific guys. We know how to matchup. We know how to get open. That part of our game is so intact.
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I wish I had come along when the studios were making those big musical pictures. It would be great to do re-makes of some of the old ones like 'Porgy and Bess' or 'Showboat.' I'd love to do 'em.
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I go home, and I'm a blob. I just lay there and don't do anything - lay by the pool with the other husbands while the wives work. It's fantastic. It's really good. That's kind of our life at home.
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You can learn more from a person just from their observations and how they see the world. More so than just talking.
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The stage is our pulpit, and you can use all of that energy and that music and the lights and the colors and the sound. But you know, you've got to be careful.
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To me, the flag represents the greatest ideals of the United States of America, not the worst, but different people look at different things and have different feelings about it. That's what freedom of expression is all about.
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When you get as old as I am, you kind of believe there's nothing new under the sun, but there's always a fresh way of looking at something. That's why I love working with young people. They remind you of things you used to know and have since forgotten.
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I look at the film as an opportunity to see some bountifully creative minds do something that I could not do - tell the story with images. I can't wait to see what they do.
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I don't like Paradise, as they probably don't have obsessions there.
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Love had sneaked up on us rather than bursting upon us like cannons and fireworks.
