Cary-Hiroyuki Tagawa Quotes
Hollywood was a detour, although my mother was an aristocrat from Tokyo who ran away to join the theatre, so acting is in my genes.
Quotes to Explore
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I started acting almost on a whim to help my music career.
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If I ever feel that acting is just soul-sucking and I don't want to do it anymore, I could stop.
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The last time I had to make a career decision, I was 17. I could have gone to Ballet Theatre or National Ballet of Canada. There were options. But as I became exposed to the Robbins repertoire, I realized that there was a living genius in the house.
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I always wanted to be a singer, and so, when I was 5 years old, I started acting classes so I could be a better performer. I wanted to have a powerful voice so I could be heard.
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I'm the artist when I'm doing music that I am when I'm acting. I'm everything.
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My grandparents never understood why my mother Noreen chose such exotic names for her children: Damon and me. My granny insisted on calling my brother Dermot - a good Irish name - until she died; I was just known as 'wee one.'
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I believe the question now is: who murdered my mother?
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I was barely in grade school when I helped my mother rearrange the living room furniture for the first time.
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As far as acting in films, there is not much out there that is very interesting to do. The ones that are interesting to me are independent films and they have trouble raising money. With people putting their money into blockbusters, there is not much left for the independents.
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Doing scripted acting is a challenge to me. I can't remember things too good, so remembering lines is a challenge to your boy.
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It was really unusual to go from being in university for four years to all of a sudden acting every day. I'd never been able to do it exclusively like that. It was always sort of like my secret thing that I did privately.
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My mother was very strong on me to go to college. No one had ever been to college, including my parents.
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For the purposes of the play, it was perfect to be able to use that and the stresses and strains that there were. At the end of the play, the mother realizes the terrible things she had done.
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My father was a dark-skinned brother, but my mother was a very fair-skinned lady. From what I understand, she was Creole; we think her people originally came from New Orleans. She looked almost like a white woman, which meant she could pass - as folks used to say back then. Her hair was jet-black. She was slim and very attractive.
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You know, I put my little brother in the movies and he's still in the pictures. My mother makes me put him in the pictures.
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I know it's a film and all of that, and it's a Hollywood film, but it kind of feels like this sometimes, when you're in pain and it hurts, and you're desperate. Or you are about to cross some moral line and it's so seductive and you just do... and all that.
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My mother is the coolest, most amazing person I know.
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Real acting is about giving people an insight into a person, letting the audience in.
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When I initially started acting, all I wanted to do was to be in one movie. That's it. That was my goal.
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I loved, in 'Starman', the use of anamorphic lenses, the creation of blue light, and Carpenter's use of the widescreen format.
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To me, Sid Vicious is cool. Super chill.
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The American idea is as promising, imaginative, and full of the unexpected as the land itself. The land represents freedom - the frontier, the ability to make a new future with your own bare hands.
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If my kid came to me and said 'I'm gay,' I'd say, 'Son, I love you.'
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Hollywood was a detour, although my mother was an aristocrat from Tokyo who ran away to join the theatre, so acting is in my genes.
