Nigel Gibson Quotes
Quotes to Explore
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In Mississippi, you don't admit that you're gay. It's just an awkward thing down South, which is sad.
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I will sign pro life bills. But what people are interested in is what we can do to create jobs, grow the economy, and keep our costs under control.
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I use the PhotoReady Foundation almost every day, and their lip glosses are fantastic.
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I've taken Saturdays to be the day I pull back completely. I do things that are more creative, and I've actually found that helps me when I get back into work to be more thoughtful, and I truly believe that feeding your creative soul is really important to being more analytical.
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I looked up to my father when I was 7 and 8. I believed it was my calling to be in the big leagues. I'd been raised by a family that always told me I could do anything I wanted.
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My main goal as a songwriter is to make something that inspires people. To write things about my life that people can relate to. Whether it's a whole record or just one song for someone, I hope it can do that for them. Knowing that I have the ability to do that is inspiring to me.
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Unless man is committed to the belief that all mankind are his brothers, then he labors in vain and hypocritically in the vineyards of equality.
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There's a bootleg album that was recorded when I was 14 or 15, a compilation of things live at different clubs. Songs like Girl from Ipanema and Cry Me A River. I don't know what the title of it is.
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We've got so many stories to tell, you know, we could take on the world.
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The best founders are extremely thoughtful and have an eye for quality. I don't know if there's any generic advice here that would be helpful. Startup knowledge is a moving target.
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The principal did not like the fact that the teachers would take my side. I always left an impression when I left the school - not for who I was but for what I did there.
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We write the song, then it gets played for the artist, and they somehow fall in love with it and go back in and make it their own.
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'Blade Runner' is one of my favorite films.
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Every movement has radicals. But the important thing is that the radicals are not the leaders.
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For me, my 'X' replaced the white slave master name of 'Little' which some blue-eyed devil named Little had imposed on my parental forebears.
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I characterize myself a little bit as a reluctant filmmaker. I learned from watching my friend in college stay up late at night, at 2 A.M., just to get the lighting right, and I thought, 'You know what, if that's what it's going to be like, I think I'm just going to write,' and I did that.
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In a world where people are hungry for quick fixes and sound bites, for instant gratification, there's no patience for the long, slow rebuilding process: implementing after-school programs, hiring more community workers to act as mentors, adding more job training programs in marginalized areas.
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After the falling out with my father, I worked on a couple of ranches - thoroughbred layup farms, actually - out toward Chino, California. That was fine for a little while, but I wanted to get out completely, and twenty miles away wasn't far enough.
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I always wanted them to look like Hollywood movies; I just didn't know how to do it.
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There's much talk about how there can't be democracy in a region that has problems of illiteracy and poverty. But I bring a different idea to the table when I say, 'Guys, I come from India. I'm more optimistic coming from where I'm coming.'
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I don't think anyone wants a reader to be completely lost - certainly not to the point of giving up - but there's something to be said for a book that isn't instantly disposable, that rewards a second reading.
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Many of the democratization projects are a real threat to real democracy.
