Mike D Quotes
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LCD Soundsystem - they put the drummer in front. I always thought that was cool. Because the drummer is usually the guy in the back.
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I'm really kind of a little bit romantic for the lost era. There's a lot of us that are - kind like James Murphy, same thing - we feel like it's this magic era that happened before us. And it wasn't even necessarily disco.
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L.A. is a town built upon segregated, individual fantasies.
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Maybe some people, when they sit down to write their great novel or make their great record or paint their great painting, they have it all planned out in their head. But for me, it's never worked that way.
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Dub has been a big influence in terms of production. It's inspired so many people and so much music - in terms of music where mixing desk was the instrument. Central to that is the echo chamber, and I think there's a little bit of a romantic thing there.
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What was interesting about grunge was that it was this death sentence to the rock that had preceded it, which was hair metal.
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At the time, I was living pretty close to Ground Zero. I had to grab some necessary equipment, put it in my backpack, and flee the immediate proximity on my bike.
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We just have to be careful of our actions as world citizens.
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That's the thing with all of us music geeks - music is the soundtrack to the things that happen in our lives, and there's music that's unique to that movie.
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I have an equal amount of patience as my grade-school children, which is not great.
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Most interviewers basically just want us to rephrase the bio. You already know us - why do you need to interview us?
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I wanted to create this dialogue between music and visual art and vice versa. No matter what part of the spectrum they fill, whether it's visual, music, or whatever, artists are interested in other art forms. Your brain is already kind of firing in that way.
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Music is more available than ever. It's up to people to figure out. Ultimately, it's up to the business to figure out what the business is, monetizing that.
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We're downtown New Yorkers and had very close proximity to the events of September 11th. Like everybody on the island of Manhattan, we were impacted by it in so many ways in terms of what we saw, what we felt, what our daily experience became in the wake of it.
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Real life is much c than fiction, man.
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The initial notion for 'Check Your Head' was just all three of us getting back to playing instruments.
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LL Cool J is very well known in Hollywood. He's an established commodity across several platforms, including motion pictures.
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Each time you present a tour, you're faced with these questions of, 'How do you want to present visual information? How do you want to take the music that we're making on stage and visualize that?'
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We are exercising our constitutional right to be fresh.
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Hopefully everybody in the audience thinks, 'That's cool. I could do that.' I don't like the thought that they say, 'I saw the Beastie Boys last night, and they're mega-stars.' I'm a lot happier when the kids who come backstage or to the hotel try to give us tapes of what they've done instead of just getting an autograph.
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I guess when time came to make 'To The 5 Boroughs,' we had something important to say.
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We're doing what we want to do, and that's why the kids respect us.
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I don't know - the idea of a specific wine paired with a specific piece of music seems a little far-fetched to me. But maybe I just need to be opened to it.
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For me, growing up in New York, it started with Elvis Costello and the Clash and then got into louder things like Bad Brains and Stimulators, because those were, like, the local bands. Then I started getting into bands from England like the Slits. I remember seeing Gang of Four at Irving Plaza; that was a really big show for me.