Catherine Sanderson Quotes
Music from my iPod was setting my life to a dramatic soundtrack that only I could hear.
Quotes to Explore
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The most anxious time was during launch, just because that is so dramatic.
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I'm an iPod person.
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To the biographer all lives bar none are dramatic constructions.
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I'm reteaming with the producers of 'Twilight' on an awesome script. It's very serious, dramatic and different for me. I'm excited to see what's next. I love all aspects of film and all genres.
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I definitely would like to do some more dramatic roles.
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Everywhere you go, there's a soundtrack. You can't really quite hear it. It's just a little out of the range of hearing.
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At the time, I was in L.A., just auditioning and hoping to land a part, dramatic or comedic. I started to feel really stagnant, waiting for a part. I was also taking classes at UCB and Groundlings, and at the higher levels, they focus on writing. It was such a relief to be able to write. During those programs, I wrote a one-woman show called Me, Myself, and Iran, and it ended up getting to Tina Fey. She recommended me to audition for SNL, so I got my first of two auditions through her.
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I've never done theater professionally. But I went to the American Academy of Dramatic Arts, so I did some theater there.
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Just as the orator marks his good things by a dramatic pause, or by raising and lowering his voice, or by gesture, so the writer marks his epigrams with italics, setting the little gem, so to speak, like a jeweler.
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Without a soundtrack, human interaction is meaningless.
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The big influence on me was Robert Altman, who, especially in 'Nashville,' transformed my sense of dramatic structure and showed how you could handle overlapping stories.
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Everything written is as good as it is dramatic. It need not declare itself in form, but it is drama or nothing.
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The only advantage to wearing glasses is that you can do that dramatic removal.
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My father is a very theatrical and dramatic person.
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When I started off as an actress, I did at a play at the Taper Too Theatre here in Los Angeles, called 'In The Abyss Of Coney Island.' That was more of a dramatic play. It was a small theater house. This was the first time I was literally on the road, doing a play, for four months.
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In a healthy nation there is a kind of dramatic balance between the will of the people and the government, which prevents its degeneration into tyranny.
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Being a dramatic character was more difficult for me. It was a new thing that I explored because it was challenging. But I love to challenge myself and different things.
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A man can only grow to a certain point when alone; to grow further you need some "irrational shocks", like a wife and children; a dramatic change to your own life.
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If I'm being honest, yes, I've always been into the underdog instead of the golden boy or guy with the easy life. It doesn't seem that dramatic from a storied perspective to play someone that has it easy or is incredibly normal.
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She’d once asked a black psychologist whose house she’d cleaned on Long Island about black people’s attachment to clothes. She’d told Blanche it probably was partly due to African peoples’ belief in body adornment in a spiritual way, and partly because, consciously or unconsciously, black people in America hoped clothes would make them acceptable to people who hated them no matter what they wore.
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I want a certain thing for my children. I just want to be in their life. I don't want nannies raising my kids.
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Music from my iPod was setting my life to a dramatic soundtrack that only I could hear.
