Catherine Sanderson Quotes
Music from my iPod was setting my life to a dramatic soundtrack that only I could hear.
Quotes to Explore
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The most anxious time was during launch, just because that is so dramatic.
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I'm an iPod person.
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To the biographer all lives bar none are dramatic constructions.
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I'm reteaming with the producers of 'Twilight' on an awesome script. It's very serious, dramatic and different for me. I'm excited to see what's next. I love all aspects of film and all genres.
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I definitely would like to do some more dramatic roles.
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Everywhere you go, there's a soundtrack. You can't really quite hear it. It's just a little out of the range of hearing.
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At the time, I was in L.A., just auditioning and hoping to land a part, dramatic or comedic. I started to feel really stagnant, waiting for a part. I was also taking classes at UCB and Groundlings, and at the higher levels, they focus on writing. It was such a relief to be able to write. During those programs, I wrote a one-woman show called Me, Myself, and Iran, and it ended up getting to Tina Fey. She recommended me to audition for SNL, so I got my first of two auditions through her.
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I've never done theater professionally. But I went to the American Academy of Dramatic Arts, so I did some theater there.
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Just as the orator marks his good things by a dramatic pause, or by raising and lowering his voice, or by gesture, so the writer marks his epigrams with italics, setting the little gem, so to speak, like a jeweler.
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Without a soundtrack, human interaction is meaningless.
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The big influence on me was Robert Altman, who, especially in 'Nashville,' transformed my sense of dramatic structure and showed how you could handle overlapping stories.
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Everything written is as good as it is dramatic. It need not declare itself in form, but it is drama or nothing.
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The only advantage to wearing glasses is that you can do that dramatic removal.
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My father is a very theatrical and dramatic person.
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When I started off as an actress, I did at a play at the Taper Too Theatre here in Los Angeles, called 'In The Abyss Of Coney Island.' That was more of a dramatic play. It was a small theater house. This was the first time I was literally on the road, doing a play, for four months.
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In a healthy nation there is a kind of dramatic balance between the will of the people and the government, which prevents its degeneration into tyranny.
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Being a dramatic character was more difficult for me. It was a new thing that I explored because it was challenging. But I love to challenge myself and different things.
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A man can only grow to a certain point when alone; to grow further you need some "irrational shocks", like a wife and children; a dramatic change to your own life.
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It may be that that we can sing what we often cannot say, whether it be from shyness, fear, lack of the right words or the passion or dramatic gift to express them. More souls have rallied to more causes by the strains of music than by straining rhetoric.
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Each culture has some knowledge. That's why I studied with Saj Dev, an Indian flute player. That's why I studied Stockhausen's music. The pygmies' music of the rain forest is very rich music. So the knowledge is out there. And I also believe one should seek knowledge from the cradle to the grave. With that kind of inquisitiveness, one discovers things that were unknown before.
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If I wanted to go crazy I would do it in Washington because it would not be noticed...
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Whereas, if you just say all right, let's try to bring in some recurring people, maybe that will alleviate some of the burdens on the budget moving forward.
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Music from my iPod was setting my life to a dramatic soundtrack that only I could hear.
