Catherine Sanderson Quotes
Music from my iPod was setting my life to a dramatic soundtrack that only I could hear.
Quotes to Explore
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The most anxious time was during launch, just because that is so dramatic.
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I'm an iPod person.
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To the biographer all lives bar none are dramatic constructions.
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I'm reteaming with the producers of 'Twilight' on an awesome script. It's very serious, dramatic and different for me. I'm excited to see what's next. I love all aspects of film and all genres.
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I definitely would like to do some more dramatic roles.
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Everywhere you go, there's a soundtrack. You can't really quite hear it. It's just a little out of the range of hearing.
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At the time, I was in L.A., just auditioning and hoping to land a part, dramatic or comedic. I started to feel really stagnant, waiting for a part. I was also taking classes at UCB and Groundlings, and at the higher levels, they focus on writing. It was such a relief to be able to write. During those programs, I wrote a one-woman show called Me, Myself, and Iran, and it ended up getting to Tina Fey. She recommended me to audition for SNL, so I got my first of two auditions through her.
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I've never done theater professionally. But I went to the American Academy of Dramatic Arts, so I did some theater there.
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Just as the orator marks his good things by a dramatic pause, or by raising and lowering his voice, or by gesture, so the writer marks his epigrams with italics, setting the little gem, so to speak, like a jeweler.
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Without a soundtrack, human interaction is meaningless.
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The big influence on me was Robert Altman, who, especially in 'Nashville,' transformed my sense of dramatic structure and showed how you could handle overlapping stories.
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Everything written is as good as it is dramatic. It need not declare itself in form, but it is drama or nothing.
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The only advantage to wearing glasses is that you can do that dramatic removal.
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My father is a very theatrical and dramatic person.
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When I started off as an actress, I did at a play at the Taper Too Theatre here in Los Angeles, called 'In The Abyss Of Coney Island.' That was more of a dramatic play. It was a small theater house. This was the first time I was literally on the road, doing a play, for four months.
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In a healthy nation there is a kind of dramatic balance between the will of the people and the government, which prevents its degeneration into tyranny.
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Being a dramatic character was more difficult for me. It was a new thing that I explored because it was challenging. But I love to challenge myself and different things.
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Dramatic fiction - William Shakespeare made his biggest mark writing dramatic love stories.
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But 'why then publish?' There are no rewards Of fame or profit when the world grows weary. I ask in turn why do you play at cards? Why drink? Why read? To make some hour less dreary. It occupies me to turn back regards On what I've seen or pondered, sad or cheery, And what I write I cast upon the stream To swim or sink. I have had at least my dream.
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This looks a good team on paper, let's see how it looks on grass.
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I was a nobody when I met with the publisher. Nobody knew who I was. I was doing some speaking for entrepreneurs. I did little groups. I had no following.
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Well, I don't think I've necessarily ever been a passionate football player or a passionate person.
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It was really weird for me filming in New York, because I was born and raised there. I started acting and modeling when I was five or six, so I worked there.
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Music from my iPod was setting my life to a dramatic soundtrack that only I could hear.
