Catherynne M. Valente Quotes
He looked so sorry and miserable as he pushed me out the door. It stung. It always stings when there's this whole story going on and you're really just a B-plot walk-on who only got a look at three pages of the script.
Quotes to Explore
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When I watch cop shows, I really enjoy them because you can really follow the story and get involved, and the characters are always really interesting.
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I'm not a very big fan of 'Slumdog Millionaire.' I think it's visually brilliant. But I have problems with the story line. I find the storyline unconvincing.
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Sometimes it's less about the character and more about the story for me. I'll play a rock in the background if I think the story is fantastic and I can be a part of it somehow. That's what I look for.
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Every story I create, creates me. I write to create myself.
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Sometimes the kids come up with better endings than the real story.
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A good story will keep you wondering about what's happening, what's going on, where does this go? Now it's going to go that way, now it's going to go that way. It has to do that. If it's predictable, it's just boring.
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This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
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The reader is going to imprint on the characters he sees first. He is going to expect to see these people often, to have them figure largely into the story, possibly to care about them. Usually, this will be the protagonist.
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Narrative drives most of economics. Everything seems to be part of a story, and how that story is told often leads to critical error.
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When 5150 came out rock was king. Post Nirvana and Pearl Jam 1996 is a different story.
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There really isn't a story that you can't tell inside of it. It's very much a clearinghouse for anything that goes on in the world. So you're not at all limited.
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With a mini series you can give the story a proper sense of pacing, a proper sense of closure.
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A good story gives you more of a license to be forward and progressive with the music.
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I love the Spider-Man story. I watched the cartoon on TV when I was a kid, and my brother wore his Spider-Man pyjamas everywhere.
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Rag & bone images always reflect the authenticity of the brand. Their images have character and tell a story.
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The songs I love to sing are story songs, from Yiddish songs to Tom Waits.
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I love traveling. But I haven't had big, transformative experiences while on the road. When I go out on the road, it's to go out and get a story or do a promotional event.
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A novel requires a certain kind of world-building and also a certain kind of closure, ultimately. Whereas with a short story you have this sense that there are hinges that the reader doesn't see.
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We're looking at a story we want to call "Am I Black enough for you?" That's that whole question of who determines what "Black enough" is. Is it color? And if it's color, then are you telling me that Clarence Thomas is Blacker than Louis Farrakhan? If it's not color then what's the line that determines whether you are?
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I considered the case and realized that if something can exist in opinion without existing in reality, or exist in reality without existing in opinion, the conclusion is that of the two parallel lives, only opinion is necessary – not reality, which is only a secondary consideration.
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Meaningful learning in a community requires both participation and reification to be present and in interplay. Sharing artifacts without engaging in discussions and activities around them impairs the ability to negotiate the meaning of what is being shared. Interacting without producing artifacts makes learning depend on individual interpretation and memory and can limit its depth, extent, and impact. Both participation and reification are necessary. Sometimes one process may dominate the other, or the two processes may not be well integrated. The challenge of this polarity is for communities to successfully cycle between the two.
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Lynch is an ordinary, smalltown guy and he just sees strange things in people.
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I do like to have guns around. I don't like to carry them. But I like - if somebody is going to come into my house and I have not put out the welcome mat, I want to stop them.
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He looked so sorry and miserable as he pushed me out the door. It stung. It always stings when there's this whole story going on and you're really just a B-plot walk-on who only got a look at three pages of the script.
