Catherynne M. Valente Quotes
He looked so sorry and miserable as he pushed me out the door. It stung. It always stings when there's this whole story going on and you're really just a B-plot walk-on who only got a look at three pages of the script.
Quotes to Explore
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When I watch cop shows, I really enjoy them because you can really follow the story and get involved, and the characters are always really interesting.
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I'm not a very big fan of 'Slumdog Millionaire.' I think it's visually brilliant. But I have problems with the story line. I find the storyline unconvincing.
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Sometimes it's less about the character and more about the story for me. I'll play a rock in the background if I think the story is fantastic and I can be a part of it somehow. That's what I look for.
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Every story I create, creates me. I write to create myself.
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Sometimes the kids come up with better endings than the real story.
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A good story will keep you wondering about what's happening, what's going on, where does this go? Now it's going to go that way, now it's going to go that way. It has to do that. If it's predictable, it's just boring.
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This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
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The reader is going to imprint on the characters he sees first. He is going to expect to see these people often, to have them figure largely into the story, possibly to care about them. Usually, this will be the protagonist.
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When 5150 came out rock was king. Post Nirvana and Pearl Jam 1996 is a different story.
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There really isn't a story that you can't tell inside of it. It's very much a clearinghouse for anything that goes on in the world. So you're not at all limited.
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A good story gives you more of a license to be forward and progressive with the music.
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Rag & bone images always reflect the authenticity of the brand. Their images have character and tell a story.
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The songs I love to sing are story songs, from Yiddish songs to Tom Waits.
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I love traveling. But I haven't had big, transformative experiences while on the road. When I go out on the road, it's to go out and get a story or do a promotional event.
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As cliched as it sounds, if you have an original voice and an original idea, then no matter what anybody says, you have to find a way to tell that story.
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I will not go into a story unprepared. I will do my homework, and that's something I learned at an early age.
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Most of the names in my books have secondary meaning. Sometimes they foreshadow; sometimes they tell you about the character's origin or back story.
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Everybody has a Bill Murray story. He just punishes people for reasons they can't figure out.
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The key to integration is a common language and that happens to be German here -- and we can demand that.
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Real love should draw no blood from the loved and buckets from the lover.
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I work for posterity, these things requiring ages for their accomplishment.
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We have ordered things so long in a certain way, we are numb. Nobody dares question it. This is what is wrong, symbolically, with America.
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He looked so sorry and miserable as he pushed me out the door. It stung. It always stings when there's this whole story going on and you're really just a B-plot walk-on who only got a look at three pages of the script.
