Cathy Freeman Quotes
Quotes to Explore
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Every dogma, every philosophic or theological creed, was at its inception a statement in terms of the intellect of a certain inner experience.
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With legitimate journalists I've always had a great time - I've never gone out of my way to court the press. That's probably cost me some money, but I've always had the respect of my peers.
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You can cage the singer but not the song.
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If you're writing a scene for a character with whom you disagree in every way, you still need to show how that character is absolutely justified in his or her own mind, or the scene will come across as being about the author's views rather than about the character's.
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Do you really think it is weakness that yields to temptation? I tell you that there are terrible temptations which it requires strength, strength and courage to yield to.
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I don't want people following me around, everywhere I go, people talking to me and stuff. I don't want to be walking down the street with a bodyguard. I don't think that will be an issue playing in L.A.
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In Westerns you were permitted to kiss your horse but never your girl.
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Two records put me over the top with hip-hop. One of them was 'Planet Rock,' and the other had no lyrics – it was called 'Numbers,' from a group called Kraftwerk. Every kid in the 'hood in New York and New Jersey was popping, locking, and breaking to that record. It was the hottest track on the street at the time.
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Sure, we want to know what a president believes in... but that doesn't always mean he should tell us.
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I floated around in the department of biochemistry and learned some interesting things, and then I began to... I never wanted to work with a mentor because I always wanted to have my own reputation and be free to do what I wanted to do. So I worked with the weakest people in the department. Don't make that public.
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When you as a designer design something that burdens a community with maintenance and old world technology, basically failed developed world technology, then you will crush that community way beyond bad design; you'll destroy the economics of that community, and often the community socially is broken.
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I may have a slightly paranoid nature, a fear of losing control of my life.
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I graduated from Second City Los Angeles. It helped me tremendously, not only in my roles in films but in helping shape me into a writer as well. In improv, you will fail sometimes, so it teaches you to be brave and try anything. The worst that can happen is nobody laughs.
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In a very real sense, people who have read good literature have lived more than people who cannot or will not read.
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I think the most important factor in getting out of the recession actually is just the regenerative capacity of - of American capitalism.
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I have good legs, so I prefer my skirt lengths and my high heels. It's like my uniform.
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Our awareness gap and the fuzziness about how people might understand Ulta today is a ripe opportunity for us as we think about going forward. I imagine this is like almost relaunching the brand of Ulta.
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I often think of the novel as a form that celebrates social groups, and the short story being a form that is capable of celebrating an individual or a sort of insular little pair of people.
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I went to college at University of Tennessee.
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I'm not sure if you can strive your way into a career as a novelist. You have to write books; there are no short cuts.
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If you're a lay person listening to jazz, you don't necessarily understand everything that's happening within the form. But you get the sense of it, the feel of it, because you're getting to hear something that develops right in front of your face.
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Its a great day for hockey.
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I've been given that gift of working with Jack Nicholson and James Coburn and certain people who just out of nowhere break into stories - talking about working with Alfred Hitchcock or Kubrick. That's my real reward of my career.
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My last real race was at the Olympics in Sydney in 2000.
