Bessel van der Kolk Quotes
The TAT is a so-called projective test, which uses a set of cards to discover how people’s inner reality shapes their view of the world. Unlike the Rorschach cards we used with the veterans, the TAT cards depict realistic but ambiguous and somewhat troubling scenes: a man and a woman gloomily staring away from each other, a boy looking at a broken violin. Subjects are asked to tell stories about what is going on in the photo, what has happened previously, and what happens next. In most cases their interpretations quickly reveal the themes that preoccupy them.
Quotes to Explore
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In the eyes of many people, giving doesn't count unless it's completely selfless. In reality, though, giving isn't sustainable when it's completely selfless.
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I've grown up with girls that are like Precious. I've grown up with people that are like everyone that I read about in that book. And so years later, when I was given the role, I just felt a huge responsibility to show the reality of that situation and to show that we're not making it up.
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Fiction reveals truth that reality obscures.
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Modern American cinema seems to me superficial. The intention is to understand a certain reality, and the result is nothing but a photographing of that reality.
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Creativity is generating ideas that are novel and useful. I define originals as people who go beyond dreaming up the ideas and take initiative to make their visions a reality.
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I really started dreaming... and broke out of my shyness when I got to Howard University. My first acting class was an Intro to Acting class with Professor Bay, who really broke me out of my shell, encouraged me to follow my dreams and make them a reality.
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The inner reality of love can be recognized only by love.
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People talk about Hollywood as a myth, but in reality, when you make Icelandic movies and you want to get them distributed in the U.S., you're not really working with Hollywood. The movies I've been making, the first one I made, I made it with Working Title, but it was financed through Universal, so it became a Hollywood production.
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'The Wire' really drew on a lot of real-life situations and real-life organizations - it created fiction to make a social statement about reality.
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I started a theater called Steppenwolf. We've been very supportive of the veterans there.
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The fundamental laws of physics do not describe true facts about reality. Rendered as descriptions of facts, they are false; amended to be true, they lose their explanatory force.
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Every reality show plot pales in comparison to our history.
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If reality shows are so popular, that means their viewers are screaming for more realness.
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Quite often, little germs of ideas have come from something that I've observed or someone's told me. The process of it becoming fiction is expanding and extending it: stretching the rubber band of reality.
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The blurring of fantasy and reality is something that the Japanese herald in their life, in their day-to-day commercialism.
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The reality is that no one can be forced to join a union against their will, and a union cannot take action against those who decide not to join their union.
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In the past, before phones and the Internet, all communication was face-to-face. Now, most of it is digital, via emails and messaging services. If people were to start using virtual reality, it would almost come full circle.
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The 'good' mother, with her fixed smile, her rigidity, her goody-goody outlook, her obsession with unnecessary hygiene, is in fact a fool. It is the 'bad' mother, unafraid of a joke and a glass of wine, richly self-expressive, scornful of suburban values, who is, in reality, good.
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'Saawariya' was my debut film. It will always be the most special film.
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The adoring crowds and overwhelming Democratic support in the 2008 election was based largely on joy at jettisoning Bush and the appeal of electing a superbly qualified charismatic African American leader.
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We live in a great country. It's time again to get religion about it.
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The TAT is a so-called projective test, which uses a set of cards to discover how people’s inner reality shapes their view of the world. Unlike the Rorschach cards we used with the veterans, the TAT cards depict realistic but ambiguous and somewhat troubling scenes: a man and a woman gloomily staring away from each other, a boy looking at a broken violin. Subjects are asked to tell stories about what is going on in the photo, what has happened previously, and what happens next. In most cases their interpretations quickly reveal the themes that preoccupy them.
