Cesar Romero Quotes
Quotes to Explore
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Love is important. I didn't have the energy to be giving it to somebody else in a way that they deserved, and I knew that. So I've always been scared to go too far with somebody I care for because I knew there would come a day when I'd need to pick up and finish a painting for the next three months. That day is inevitable.
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What other grown-up gets told how to do their job so often as a writer?
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I knew I was going to be somebody.
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Everybody is a teenage idol.
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Posterity makes the judgments. There are going to be a lot of surprises in store for everybody.
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The misperception about the South is that everybody is racist, and all black people are victims, that what was prevalent in the '60s is only relegated to the South.
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We can learn from everybody, man.
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We not trying to do what everybody else is doing.
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It seems to me that we often commit ourselves wholly to something while knowing almost nothing concrete about it. Another word for that, I suppose, is 'faith.'
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The real guys that I knew were really cool people, who I played basketball with and traveled with on teams and knew their families and knew that they love their family. They just happen to do something that wasn't all the way legal, but it was a part of their life, and you knew that they hustled.
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Markets are frequently ahead of, and often out of sync with, the economy.
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Not everybody's gonna get your vision.
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Everybody is not completely traumatised by their life.
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In the middle of my sophomore year, I was sent to boarding school, at the Cranbrook School for boys, in Bloomfield Hills, Michigan, where I fell in love with Marilyn Monroe. I knew that she was the most beautiful woman in the world, and yet she was in pain, in need. She was unhappy. I believed that I could help her.
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How often one reads a contemporary full-length novel and thinks quietly, mutinously, that it would have worked out better at half or a third the length.
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The third umpires should be changed as often as nappies and for the same reason.
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Local markets for literary fiction remain underdeveloped; the metropolis often holds out the only real possibility of a professional writing career.
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Though ambition in itself is a vice, yet it is often the parent of virtues.
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In my opinion, the most significant works of the twentieth century are those that rise beyond the conceptual tyranny of genre; they are, at the same time, poetry, criticism, narrative, drama, etc.
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We lived in a flat that you could pretty much fit in my current kitchen. No wonder people drink! I can't understand why they don't throw themselves off the balconies.
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I started a novel back in high school. It wasn't very good. It was the opposite of good. The writing itself wasn't too bad, and the characters were interesting. But the story was a mess, and it was full of fantasy cliches. Dwarf with an axe. Barbarian warrior. I don't ever think I'd bother finishing that. It's just not worth my time.
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The release of atomic energy has not created a new problem. It has merely made more urgent the necessity of solving an existing one.
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You knew everybody at all the studios and you saw them often.
