Fernando Alonso Quotes
For me it's a simple sport and a simple way to live these seven or eight years of maximum sport.
Quotes to Explore
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The Kiss scene was attempted three times. The first was in a peculiar spot of the fort on the ground level. It felt forced to me, and I knew right away that, in spite of what others were saying, it was dead wrong.
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The only way to do is just to go for it, otherwise it ends up looking phoney.
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This is what I have discovered - and it has been a gift in itself - that books live over and over again in different people's minds. That I might mean one thing as I write, but a reader's experiences will take it somewhere else. That is like a conversation, I think. It is a true connecting up.
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When I was younger, it was like, 'Yay, lesbians love me!' I didn't know there was a responsibility that came with it.
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I knew the moment it happened, it was a miracle. I could have been kissing her when she threw up. It would have scarred me for life. I may never have recovered.
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Australian genre films were a lot of fun because they were legitimate genre movies. They were real genre films, and they dealt, in a way like the Italians did, with the excess of genre, and that has been an influence on me.
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I am a fashion designer, so I guess that makes me an overpacker.
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It really bugs me the way people criticise how actors look. We're not models. Models exist.
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One of the things that's really, really present in 'Between the World and Me' is, I am in some ways outside of the African-American tradition.
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As far as actors go, you're not going to find many ballplayers better than me.
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Don't see the point in reading ghost-written autobiographies, even though some of these published lives may fascinate me. The 'ghost' is always present, manipulating an interview into first-person singular text, and it feels like I'm reading a lie.
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To me, there is nothing more soothing than the song of a mosquito that can't get through the mesh to bite you.
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It's not often that the idea of continuing something for a potentially long period of time sounds exciting to me, because I really am a gypsy by nature.
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Fantasy is sort of a blank slate that everybody can project their own culture onto. Everybody can read it in their own way.
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I think 'In The Heat Of The Night' was one of the most influential films on me. Looking back now, I can see how influential it was on my screenwriting because here you have what looks to be a crime procedural, and it's actually a study in race and loneliness, and a perception of an era.
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I describe myself as a simple Buddhist monk. No more, no less.
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I made my money in an honest way. And I have declared it all. By co-founding Infosys along with Mr. Murthy and others, I earned financially.
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A stereotype may be negative or positive, but even positive stereotypes present two problems: They are cliches, and they present a human being as far more simple and uniform than any human being actually is.
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This pleasure comes precisely from the sharpest awareness of your own degradation; from the knowledge that you have gone to the utmost limit; that it is despicable, yet cannot be otherwise; that you no longer have any way out; that you will never become a different man.
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What I want is a way to put Universal monster toys back in the aisles alongside Star Wars and all the other stuff and introduce today's kids to the classic monsters.
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Something like that starts with me. . . . It was all of us together.
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I've stood my ground in life, alone, even against overwhelming forces with the might and money to crush me.
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I have a hard time watching films and not thinking how I would play any part, whether it's a man or a woman.
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For me it's a simple sport and a simple way to live these seven or eight years of maximum sport.
