Wright Morris Quotes
Quotes to Explore
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I have no problem with violence, I have no problem playing horrible people.
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I've had the experience of having a book praised but then it doesn't sell. Or not praised but then it sells.
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Coming up with ideas isn't hard. The real challenge is finding the time to actually build something and then finding a home for it.
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All of a sudden I discovered that I'm allergic to caviar. It was the perfect metaphor for my life. When I was only able to afford bad caviar, I could certainly eat my fill of it.
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I don't think any actors love taking their clothes off on film, unless you're an exhibitionist, which I'm certainly not.
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Look what Disney's done to their animation department. There wasn't an animator in charge of their animation unit!
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Conflict is very much a state of mind. If you're not in that state of mind, it doesn't bother you.
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Were women meant to do everything - work and have babies?
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Nothing in this world can take the place of persistence. Talent will not: nothing is more common than unsuccessful men with talent. Genius will not; unrewarded genius is almost a proverb. Education will not: the world is full of educated derelicts. Persistence and determination alone are omnipotent.
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Success in management requires learning as fast as the world is changing.
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I love it and really, really enjoy weight training. I love free weights. I find it really rewarding.
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When you've got children, it's easy to do that thing of keeping a tally of who woke up earliest and whose turn it is to put them to bed. But I think the important thing is to appreciate and love each other and to show that appreciation.
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Seattle sucks. New York and Chicago are real cities. Seattle is Dubuque, Iowa, putting on airs. People here think Seattle is Paris... it ain't. I've been to Paris, and this place isn't Paris.
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Although we are all different, we all respond to each other's suggestions of perfection. And we enjoy the same response as the artist. It is the inner contemplation, the wanting to respond to life, that opens our eyes to what is already in the mind.
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When I do videos, it's just myself.
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One thing that I think works in 'Casablanca' and which I've lectured a lot about - in terms of what I've been trying to achieve as a designer - is the film's creation of its own form of reality.
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Our family brings a different amount of - not fame - attention.
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A house is very much like a portrait. I cannot disconnect houses from people. The thought of arrangement, the curves and straight lines. It gives an indication of the character at the heart of it.
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A lot of American actors when they do Shakespeare put on a phoney English accent and it drives me crazy. You're always fighting against the idea that only the British know how to do Shakespeare.
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Our object is the economic freedom of the producing classes; this ultimate goal will be attained after a long and bitter struggle; therefore, our primary task is to organize the masses and lead them in the struggle for economic freedom.
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My agent will say, 'Well, it's another graphic novel.' I don't care. It's better writing than anything else that's out there. The characters are much better.
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I'm a more skilled writer now, but after 23 books it's harder to be fresh and that's really important to me. I don't want to write the same thing over and over again.
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When writing is good, everything is symbolic, but symbolic writing is seldom good.
