Winona Ryder Quotes
I approached work very seriously. I never went out. I couldn't fathom people who could go out to clubs... But I definitely went through a time where I was just terrified and exhausted and I didn't really understand. Hollywood... It just got to be too much for me.

Quotes to Explore
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I've always loved to help people, young people in particular.
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To write a good mystery you have to know where it will end before you can decide where it will begin... and I've always known where it will end.
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Growing up as a kid my father was British and a soccer player. His idol was a guy that passed the ball a lot, Stanley Matthews. Our family thought if you could be unselfish your teammates would always like you.
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Civilization is merely an advance in taste: accepting, all the time, nicer things, and rejecting nasty ones.
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Philip Kitcher thinks that mathematics is surprisingly like empirical science. Few mathematicians would agree; philosophers too, from Socrates on, have held the opposite opinion.
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Whenever I walk out on a stage, I'm begging for affection.
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I obtained eight years of elementary education in a two-room school, where I encountered a stern but engaging teacher who awakened my intellect with instruction that would seem rigorous today in many colleges. History figured large in the curriculum, exciting for me what was to become an enduring interest.
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Your belief system saturates the space around you.
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I always prefer other people's interpretations over my own, so I'm not very quick to make explicit what exactly a song or record is about.
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Only in a popular war against France... do I see a misfortune.
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Being an economist is the least ethical profession, closer to charlatanism than any science.
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I'm not pretending to be ingenuous; I know what I'm doing.
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I never make a trip to the United States without visiting a supermarket. To me they are more fascinating than any fashion salon.
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I've always believed that the things middle class families struggle with around their kitchen tables should define my work in Washington.
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I consider myself Istanbul's storyteller. My subject matter is my town. I consider it my job to explore the hidden patterns of my city's clandestine corners, its shady, mysterious places, the things I love.
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We need to make more original movies, and audiences would do well to support original movies for the future of the medium.
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I measure everything, because I always think that if I've spent so much time making sure this recipe was exactly the way I want it, why would I want to throw things into a pot?
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I’ve been thinking about the war a lot recently, and I think I’ve decided it’s wrong. We are defeating ourselves in waging it, will destroy ourselves by winning it.
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I never looked at hockey as work. Now that I'd finished playing, I had to go to work.
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I can be incredibly focused, and I can appear impatient. So I've learned to slow down, get to know people, and provide more context. There's nothing wrong with getting to the point pretty quickly, but it's also helpful to give people an opportunity to talk about their work.
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I never pursued voice hard enough. I've done musicals here and there, but I was never dedicated to really being one of these fantastic, operatic kind of singers that you have to be in some of these musicals.
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In the end, people are persuaded not by what we say, but by what they understand.
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I kind of joke that creating franchises is a lot like directing pilot episodes of TV series. You set a look and feel and kind of pass it on.
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I approached work very seriously. I never went out. I couldn't fathom people who could go out to clubs... But I definitely went through a time where I was just terrified and exhausted and I didn't really understand. Hollywood... It just got to be too much for me.