John Carter Cash Quotes
Quotes to Explore
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Whether or not we communicate it, I definitely seek my mom's acceptance and approval for everything. She has a strong commercial sense of movies and is a quintessential audience. When she doesn't like something, I know there is reason to worry. When she loves something, there is reason to celebrate.
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I am now writing a book called 'Far Enough,' very loosely based on my childhood. This is difficult because it forces me to remember people I loved who are gone.
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Most of the producers don't know what they do. The misconception of the producers' function is really not a misconception. Most producers don't do a very good job.
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The psychology of women hitherto actually represents a deposit of the desires and disappointments of men.
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You know, I'm kind of a wild crazy workaholic guy.
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If you date one woman a year, times 10 years, and that's 10 women.
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I really found this campaign odious. I couldn't get up for it. The quality of the candidates and the campaign, I just found the whole thing second-rate. I didn't know how to explain to my granddaughter that I was spending my dotage writing about Al Gore and George W. Bush.
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The Internet has turned the world into one gigantic linked community, capable of instantly sharing vast amounts of incorrect information.
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A good stand-up, you lead the audience. You don't kowtow to the audience. Sometimes the audience is wrong. I always think the audience is wrong.
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My biggest ambition over everything is to have kids. It feels great. I'd love a big family.
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I'm one of those people if you ask, 'What's your favourite song?' I'm going to give you five. I don't have just one favourite.
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I thought that communism, the tyranny of communism, was an abomination and I beseeched God to bring that terrible evil down and he did. It was a great triumph, it took awhile, but it happened.
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I consider The O.C. as my college. It was four years and I made friends who I'll have forever.
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I didn't make any money from my writing until much later. I published about 80 stories for nothing. I spent on literature.
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Maybe black and white is the best medium for landscapes, I don't know.
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I was reading about all of these medical and psychological experimental programs that the government and various intelligence agencies had run throughout the 20th century. Any book you can read on that, there's some really horrifying and fascinating stuff that goes on there.
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I think there is a real thing going on where writers are feeling more liberated to write with a big canvas because of a demonstrable, continued appetite for long-form storytelling.
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When a great artist gets my attention, I pursue it. If I don't, someone else will, you know what I'm saying?
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Having a blank slate is sometimes as daunting as it is exciting.
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I've had horrible days where you wake up with a zit, and you have to film, and it's terrible.
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Pilates is great.
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After graduation, I wanted to work for 'Sassy', which I loved, but it had folded. So I wound up at 'Seventeen' for three years on staff and two as a contributor, and I wrote these great stories that nobody ever believes 'Seventeen' does. Serious stories for teens about social justice issues - gun control, migrant farm workers.
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Dad never ceased to remind my mother of his love for her.
