Walter Lantz Quotes
The fascinating thing about the studio was that there was no story department. They would put a little notice up on the bulletin board saying: 'The next Oswald will take place at the North Pole. Anybody having any gags, please turn them in before such a date.' If you turned in gags regularly, the way Tex Avery, Cal Howard, Jack Carr and two or three others of us did, you'd be called into the gag meeting. The group would go into Walt's office and talk about whatever the subject of the cartoon was. Walt would put it into some kind of form and that was the story--no scripts, no storyboards.
Quotes to Explore
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In 1995, I founded a storytelling program for children called Neighborhood Bridges in collaboration with the Children's Theatre Company of Minneapolis, which is 15 elementary schools in the Twin Cities.
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Well, yes, as I was a rather bad actor then and I wasn't making enough money, I thought, to make enough money to not make money as an actor, I'd better do some writing.
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I am also one of those persons who were transformed, who grew out of the Soviet system and transformed myself into the new Russia.
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I think less than people think I do about politics. I care about writing.
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Sure I'm leaving the Bee Gees. I'm going into films.
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I had one of my best years in 1991; I was 31. I made a renewed effort to work harder. I got better at my diet. I paid attention to how much sleep I got. I was always someone of routine. I became more strict.
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I've forgotten what it's like to remember. I've lost the mindless confidence that a moment, an idea, a thought will be there for me later, the bravado of breezing through experience in the certainty that it will become part of my self, part of my story.
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Believe that with your feelings and your work you are taking part in the greatest; the more strongly you cultivate this belief, the more will reality and the world go forth from it.
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You feel like you're really a part of a movement when you're singing Journey at a karaoke bar.
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It is living, not thinking, as a feminist that has become the challenge.
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I think it is better when people with their own businesses and means of income join politics as there is some degree of honesty and integrity.
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I was a dancer, and my father was a dancer, so I really grew up in that environment.
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I get on well with models, and I like to treat them well.
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I joined PETA for minks and dogs. I need my beef, my chicken, my seafood.
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I've tried to make 'Strictly Ballroom' impossible to date. It does feel a bit '80s but I consciously made sure there was no technology in the movie that could date it.
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It's a scene in Boston Harbor. It's in the Yellow Sitting Room on the second floor. And he always teased me about not having my name on it.
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Insights don't usually arrive at my desk, but go into notebooks when I'm on the move. Or half-asleep.
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I was born in 1973, so I did not see 'Alien' when it was released theatrically. I saw 'Alien' when it was on Home Box Office. I think I was probably 10.
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The music scene in the '70s was like the United Kingdom in the '70s - we had a lot of unemployment, we had inflation, we had a lot of strikes going on, on a national scale, and a lot of discontent. That was reflected in the music.
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The fascinating thing about the studio was that there was no story department. They would put a little notice up on the bulletin board saying: 'The next Oswald will take place at the North Pole. Anybody having any gags, please turn them in before such a date.' If you turned in gags regularly, the way Tex Avery, Cal Howard, Jack Carr and two or three others of us did, you'd be called into the gag meeting. The group would go into Walt's office and talk about whatever the subject of the cartoon was. Walt would put it into some kind of form and that was the story--no scripts, no storyboards.
