Hugh Anthony Cregg III (Huey Lewis) Quotes
New York was the inspiration for The Heart of Rock and Roll and Workin for a Livin. There are a lot of songs in the streets of New York.

Quotes to Explore
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I'm somebody who gets a lot of inspiration from dreams.
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When you're in a songwriting class, and you write a song, and you hand it in to a teacher to grade, I'm still going to say that it's a really awesome song whether I got an A or a D. I learned to stick to my guns and take the tools as tools and not as rules.
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You can't try and make something you think someone else will like. You can only make what you like. How can you make a song that Yo-Landi Visser likes? You don't know me. You'll never understand me.
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I'm always looking for something new: a new inspiration, a new philosophy, a new way to look at something, new talent.
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There's something different that happens when you're writing a song for your own record that you know you're going to sing.
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But the soul of touring and the heart of it is basically every day is like putting up a circus tent.
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Dixie Chicks surprised me with a beautiful three-part harmony version of 'I'll Take Care of You.' And Don Henley's performance of 'The Heart of the Matter' still just slays me every time I hear it.
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I am a man who is noble. I have a good heart, but at the same time, I'm a little malicioso. There's no way of hiding that side.
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Though I am an MP from Maharashtra, my heart beats for Katihar.
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I gather inspiration from all aspects of my life and things I see: love, heartache, mistakes, hopes, regrets, successes and faith. And it helps to have a wild imagination.
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I'm a pretty easygoing person, and it bleeds into the music. Even if I'm writing the most personal song, it's not going to come out totally serious; there's always a little tongue in the cheek.
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It's not like what I do or what I wear is my copyright. What I'm wearing now also is an inspiration. It is how I saw it on the mannequin, and I just wore it, so it's in a way copied. But obviously, I wouldn't want to spend my life thinking about dresses. It is such a waste of life.
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I try to tell a story musically in a song.
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In all ranks of life the human heart yearns for the beautiful; and the beautiful things that God makes are his gift to all alike.
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I've been doing this career for a really long time, but there was not a lot of reason, at the time when I wrote 'Fight Song,' to believe that I should keep going.
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I made a decision when I started writing 'All is Song' to take the compliments I had for 'The Wilderness' and try to be confident and not overwhelmed by it.
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No matter what, I will always hope for that day when I look around and can say, 'Oh yeah, I wrote a song that touched me emotionally the way that a song like 'She's Got A Way,' by Billy Joel did.'
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I'm scared of karaoke. I think if I did have a go to karaoke song, it would be 'Whatta Man' by Salt-n-Pepa.
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My heart is so intoxicated with love that I have no wish to speak.
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There is the "you" that people see and then there is the "rest of you". Take some time and craft a picture of the "rest of you." This could be a drawing, in words, even a song. Just remember that the chances are good it will be full of paradox and contradictions.
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What fiction offers us is an intimacy shorn of the messy contingencies of human existence - gender, race, class or age. Those moments of transcendence when we exclaim "You know exactly what I mean!" depend for much of their force on the anonymous character of the intimacy between writer and reader.
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I make extensive outlines before I write a book. I usually know what will happen. I know the characters, and I know what they are about.
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New York was the inspiration for The Heart of Rock and Roll and Workin for a Livin. There are a lot of songs in the streets of New York.